Người đăng: Unknown on Thứ Tư, 31 tháng 3, 2010


Number 710


Bed of Murder!


War Against Crime! #11 was the last issue of that title. With the next issue it became Vault of Horror. This last issue of WAC featured the second story hosted by the Vault Keeper, and EC's first horror cover. Those must've been heady days at EC when they saw their circulation jump as they moved into horror.

I could've shown you the Vault Keeper's story from this 1949 last issue of WAC, "The Mummy's Curse," but I'm contrary and want to show you story number two from that issue because I have the original art scans I purloined some years ago from Heritage Auctions, and because of the confusion over the artist of "Bed of Murder." When I showed some panels from this artwork in Pappy's #351 I identified it as being by Harry Harrison, because that was the credit I'd seen elsewhere. In Russ Cochran's reprint of WAC #11 the credit for the artwork is given to John Alton.

John...who? To paraphrase sportscaster Dick Vitale, "Let's go to the internet!" I found that John Alton was a Canadian artist who had worked for Bell Syndicate in Canada, and had done some jobs in the States after the Canadian comic industry crashed. Credits for Alton are scarce over the years, and after a time they disappear. I find Alton's style very clean, no white-out and no patches. There's nothing exceptionally dynamic about his artwork but Alton was obviously a professional and his style seems perfect for the late '40s crime comics.

Tomorrow is a non-EC posting, then I'll come back on Friday with a couple of EC love tales.









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Battler Britton - All 5 Parts

Người đăng: Unknown on Thứ Ba, 30 tháng 3, 2010

Out of turn a post: I was planning to share 30+ more Commando Comics at present and some more by IUknown later. However a regular visitor TheBlabberingBard has offered another 59 Comics including these 6. All will be uploaded by himself from his e-collection. 








All credits go to TheBlabberingBard & original contributors (given at the end of file)
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Lois Lane #13

Người đăng: Unknown



This is a classic example of Weisinger's puzzle covers. The idea was to present a startling situation on the cover, with the hope that the kids would be compelled to pick up the comic and leaf through it to find out what shocking secret had compelled Lois to wear a lead mask. Weisinger knew through focus-group type studies that he had done that kids who actually picked up a comic and flipped through it were much more likely to purchase that actual issue, and thus his goal was to get them to grab the issue off the spinner rack.

The first story features a visit to Lois' hometown of Pittsdale. The local newspaper, where she got her start as a reporter, is celebrating its 100th anniversary. Perry kindly gives her the weekend off, but when she checks for a flight, she finds that the Metropolis Airport is all fogged in. Fortunately Superman takes pity on her and flies her back to Pittsdale. He agrees to stay the weekend:


Pop Lane realizes what a great son-in-law Superman would make when the Man of Steel helps out with some of the chores:

But when he pitches the idea, Superman demurs with the usual, "She'd make a wonderful wife, but my enemies would attack me through her," line. Unfortunately, a local snoop heard only the first part of the conversation and the rumor that Superman and Lois are getting married spreads like wildfire. And, as must happen in all comedies, it is decided that it would be too embarrassing to admit the truth, and thus they pretend to be ready to go through with it. Lois gets a visit from a former beau:

Yes, I am sure that Hector was once a hunk, before he started wearing the Joker's outfit. Pop Lane is generous to a fault:

But just as it looks like the wedding is inevitable:

Remember, Superman had to leave at six to photograph those stars, so the wedding has to be called off until the next time they're back in Pittsdale.

Comments: An extremely silly, slapstick story, that mines a lot of the same ground used for the rural comedies at CBS (Andy Griffith, Green Acres, Petticoat Junction) in the 1960s, although this November 1959 issue actually predates those shows.

Next up is Alias Lois Lane. Lois visits a western US town with the intent of getting a photograph of a TV star who's on his honeymoon. She dyes her hair blond to disguise herself, but a couple of crooks realize she's the spitting image of the famed girl reporter;

They blackmail her into helping them out (although she really goes along with their plot to get a scoop). Of course, they want her to imitate Lois Lane, but while her appearance is successful, she's nowhere near as smart or sophisticated as the genuine article:

But through effort, they teach her to recognize Lois' friends and to mimic her voice:

Hmmm, anybody hearing echoes of, "The rain in Spain falls mainly on the plain,"?

But she enjoys ticking them off by getting things wrong, to the point where they're ready to give up hope. But then she manages to get saved by Superman:


Yep, it seems pretty obvious that an inspiration for this story was My Fair Lady, as one of the key songs in that Broadway play (and later movie) was "She Did It!" at any rate, the crooks now reveal their plot; they will have Lois photograph Superman with a special camera that contains Kryptonite, letting them steal a valuable mouse. Mouse? Superman explains:

As I have discussed before, animals being shot into space was a hot topic around then.

Comments: Cute take-off on the My Fair Lady theme. One interesting note: In both this story and the previous one, the pretext for the initial situation gets ignored the moment the real plot is introduced. Remember, Lois went back to Pittsdale for the 100th anniversary of her newspaper, but that never comes up once they get to the Lane family farm. Ditto with this tale, in which Lois never gets the photograph of the TV star and his blushing bride.

The finale is the cover tale, and it reveals the downside of puzzle covers; the story they represent is often wacky and filled with incredible coincidences. So it is with this tale, which starts out with Superman saving Lois and expressing exasperation with her curious nature:

The next day he spots her car crashed into a tree and rushes to the Daily Planet to see if she's okay:

He suspects that she was badly disfigured in the car crash, but that turns out to be wrong. Instead, Lois had attended a nightclub the evening before, where she watched a magic act:

And sure enough the first two people who see Lois the next day react oddly. When she looks into a lake:

She wraps herself in bandages, but realize this will not conceal her from Superman, so eventually she gets a welder to fashion the lead mask. Yet when Superman later removes the mask, it turns out her face is perfectly normal; all the magician had done was to plant a hypnotic suggestion in her mind that she would look like a cat the next day. But what about the people who reacted so strangely to her?


Comments: Clearly one of those stories where Weisinger came up with the cover idea and then assigned his writer the chore of creating a story where it happened. Incidentally, Lois got the head of a cat in another story appearing in Jimmy Olsen #66 a few years later.
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Người đăng: Unknown on Thứ Hai, 29 tháng 3, 2010


Number 709


What Lee Ames did was a crime!


Lee J. Ames is a famous and popular artist who, among many other things, illustrates books and does the Draw 50... series of art instruction books. At one time Ames was doing comic book work, but I haven't found much information on that phase of his career. He seems to pass it by completely in the autobiographical information on his websites, here and here. Oh well...based on his fancy signature on the artwork for this story he seemed to have been pleased with what he had done.

This 12-page version of the life of Machine Gun Kelly (misspelled "Kelley" in the splash, tsk tsk), is found in War Against Crime #1, 1948, and I'm presenting it as part of a series this week on EC Pre-Trend comics. The scans are from the Russ Cochran reprint from 2000. War Against Crime! and its partner in crime, Crime Patrol, were just two of many crime comics titles from several publishers in the late 1940s. These two fair-to-middling-selling comics became more famous--or infamous--for introducing the features, The Vault of Horror and The Crypt of Terror, just before these two crime titles morphed into the horror titles.

I posted another version of the Machine Gun Kelly story in Pappy's #11.












Next: Better than the dial-a-number bed, dig that crazy murder bed!

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Dynamo #1

Người đăng: Unknown on Chủ Nhật, 28 tháng 3, 2010



In addition to launching the THUNDER Agents as a group, Tower also published a few solo books for Dynamo (four issues) and NoMan (two issues).

This one starts out with a Wally Wood-illustrated story. Somebody is bombing radar installations and space observatories. We can rule out the commies:

So it appears to be coming from space. They decide to send NoMan on a one-way trip to the moon, as he can always beam his mind back to another android body on earth. This is an imaginative use for NoMan's powers. They've even planned for the possibility of the rocket crashing early:

However, he does not report back immediately, and so Dynamo volunteers to go on a second rocket:

Just after he blasts off, NoMan returns. He radios Dynamo to land on the light side of the moon, as the dark side is crawling with aliens. However, even on the exposed side there's a welcoming committee:

Using his strength, he hurls a boulder at the alien ship. When robotic tanks arrive, he hops into one of them and gets a ride to the alien HQ. But he is captured and imprisoned in a glass tank without a helmet, so he can't escape. But NoMan pops back up to his android body that is already on the moon and gives him a helmet. Dynamo defeats the aliens and rides back to earth on one of their flying saucers.

Comments: An entertaining story featuring good use of the NoMan character.

The second story is A Day in the Life of Dynamo, drawn by Mike Sekowsky. Len Brown wakes up and decides to ask for a raise due to all the risks he's taking as Dynamo. His boss sends him via a teleporter to Hong Kong, where the local THUNDER office turns out to have been taken over by a communist hero:

The reds have planned this so that Dynamo will be unable to prevent a giant robot from running amok in New York City. But then some apparent THUNDER Agents come up through the floor and chase off the communists. Unfortunately for Dynamo, they're not really with his group:

They have an old acquaintance of his with them:

But when she learns that the Subterraneans' plan is to start a global thermonuclear war, the Iron Maiden frees him. She sends him back to New York via a missile, and he defeats the robot to save the city.
Here's a little cultural reference that non-Boomer readers might miss:

In the 1950s and 1960s, "Made in Japan" meant that the product was shoddy and of inferior workmanship. Of course, ironically in the intervening years it became synonymous with high quality and dependability.

But he gets little respect from his boss:

Comments: Clearly intended to be an off-beat tale. Len never does ask his boss for that raise.

We get a super-villain team-up by Crandall and Wood in the next story, as Demo and Dr Sparta meet:

Dr Sparta's assistant has an interesting way of springing them from jail:

The villains manage to send Dynamo to a valley that time forgot, with cavemen and dinosaurs. But he convinces the cavemen that he's a legitimate god with the strength he gets from his belt and they show him the way out of the valley to where Demo and Dr Sparta are.
Comments: Solid, entertaining story and Crandall and Wood work well together.

The fourth story came as a bit of a surprise. Here's the splash:

I have to admit, I was unaware that Ditko worked for Tower. What a treat the art is in this story! We learn that 20 years earlier, the Subterraneans had captured a human orphan, and raised it to have incredible strength and mental abilities:

But despite his supposed cold-hearted nature, he reacts instinctively to save a young woman:

Who just happens to be a THUNDER agent, getting him into the headquarters, where he attacks Dynamo:

And Dynamo looks doomed until:

Andor returns to the Subterraneans, where he kills the scientist responsible for raising him.

Comments: Beautiful art and an entertaining story. There are hints that Andor might return, but if he did, it was not during the 1960s run, according to the GCD. Correction: As pointed out in the comments by Earth-Two, Andor does return in Thunder Agents #9 in a Lightning story. Discussion here.

The final story is another offbeat tale about Weed, a THUNDER agent with no special powers. He senses this is causing him trouble with the ladies:

Fortunately for him, it's an urgent call requiring the services of Lightning, who was just about to drive away with his "beautiful chick". She decides to go out with Weed instead, and they stop at a nightclub for a magic act:

The magician is a hypnotist, and convinces Weed that he has super-powers like flying and enormous strength. Obeying the comic book law of delusions, the other THUNDER agents humor him:

They follow him back to the hypnotist, but a caught off guard by a sleeping gas.
Meanwhile, Weed has discovered that he doesn't really have super-powers. But:

He rescues Dynamo and Lightning, and in the end he even gets the gal:

Comments: Amusing ending. Weed must surely be one of the very few heroes to smoke cigarettes.

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