Hiển thị các bài đăng có nhãn Supergirl. Hiển thị tất cả bài đăng
Hiển thị các bài đăng có nhãn Supergirl. Hiển thị tất cả bài đăng

Some Lesser Swipes

Người đăng: Unknown on Thứ Tư, 18 tháng 6, 2014

As I mentioned the other day, I have been working my way through the mid-1950s Superboy issues looking for more swipes by Weisinger and company.  I came across two more, although these were not quite as blatant.  First:


Despite the rather obvious swipe of the cover concept, the stories themselves have only a superficial similarity.  In the Superboy story, Clark was unaware that his teacher had instructed the class to wear Superboy costumes for Superboy day in Smallville, because he had been absent from the classroom when the order was made.  In the Supergirl story, a TV producer had given everybody at Stanhope copies of her uniform (including Linda), but hers was damaged when she used it on a mission in her other identity.  The latter story turns out to be an effort by the TV guy to expose Supergirl's secret identity.  In the former, Clark sweats it out that the reason he was chosen to be dressed in plainclothes was that someone had guessed his secret, but it turns out instead that hidden inside his jacket was a letter signed by everybody in town thanking Superboy.

It's comparable to these two stories with identical titles:

Same concept, different execution. In the first story (from Superboy #50) a gang of crooks have come to Smallville to hide out with their loot, although one of the underlings is worried about the rumors that a young lad has super powers has recently been making things tough for the local criminals.  The boss, as shown, finds the concept of a Superboy to be ridiculous, although he soon learns otherwise.  In the later story, Superboy goes to a nearby old West town where the local hoods haven't heard of him.
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Supergirl #67

Người đăng: Unknown on Thứ Ba, 22 tháng 11, 2011

Supergirl #67
2011 | English | 34 pages | CBR | 15.4MB
Between abductions, no chicken fingers in the cafeteria, and the killer robots, Supergirl has about had her fill of college. But before she can leave, first she has to save the kids of the Silk Pajama Society, stop the bad guy from unleashing his devastating plan upon the world, and attend one last orientation session!
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Supergirl #66

Người đăng: Unknown on Thứ Năm, 21 tháng 7, 2011

Supergirl #66
Jul 20 2011 | CBR | 33 Pages | 19.4 MB
Deep below one of the most prestigious universities in the DCU lie some deadly secrets that Supergirl is determined to expose! But if she uses her powers, she'll blow her cover, thus ruining any chance she and Lois Lane have of catching the madman responsible for it all!
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Supergirl's Skirt

Người đăng: Unknown on Thứ Ba, 21 tháng 12, 2010

Superman Fan posts about a girl's Superman outfit that was advertised in DC comics in the mid-1950s, along with the boy's outfit. As you'd expect, the girl's version featured a skirt.

At this point, we’re still four years out from Kara Zor-El’s debut (in Action Comics #252), and three years away from the “Super-Girl” Jimmy Olsen creates with a magic totem in what would seem to have been a dry run for the character (in Superman #123). Kara’s outfit featured a blue skirt while her precursor had a red one. (In Action Comics #156, temporary Superwoman Lois Lane had it both ways; red on the cover, blue inside the book).


Actually Kara had it both ways, too. In her first appearance, a preview at the end of the Superman story in Action #251, she had on the red skirt:

And although it was blue in her full-fledged debut in the next issue, they often goofed for the next year or two, as in this cover from Action #262:

Personally I thought the red skirt was better. And I'm sure if anybody wrote to Mort Weisinger about this "boo-boo", his response was probably that like all women, Supergirl had more than one outfit.

Update: Another example of the red skirt:
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Supergirl Annual #2

Người đăng: Unknown on Thứ Sáu, 26 tháng 11, 2010


Supergirl Annual #2
Dec 2010 | 57 pages | CBR | 29.9 MB
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Jimmy Olsen #94

Người đăng: Unknown on Chủ Nhật, 29 tháng 8, 2010



Jeez, Supes, did you have to rub his face in it by picking a new buddy with red hair and the initials "JO". Of course, these covers hit on common teenage themes of rejection and alienation. Who hasn't had a friend who suddenly becomes enamored of the new guy in town?

The opening story features Jimmy as "Insect Olsen". With Superman away in space, a new criminal named the Bug has begun a crime wave. Lana Lang is worried that he will try to steal her insect ring, and so she gives it to Jimmy for safekeeping. But just then:

Hmmm, Spider-Boy? As it happens, in the letters column of this issue, there's a missive claiming a resemblance between Jimmy and Peter Parker:

Those are pretty flimsy comparisons, and you'd have a hard time convincing me that Jimmy Olsen ever tried to avoid trouble.

At any rate, he saves the window washer, who turns out to actually be a private detective who's got a tape of the Bug discussing his upcoming crimes. Conveniently for plot purposes, the tape is slightly damaged so that Jimmy only gets partial details and has to fill in the blanks. But his deductions always turn out wrong:

Similarly:

But in the finale, Olsen, transformed into a ladybug, foils the gang and captures the Bug himself. Not! Instead, he is saved by the God(ess) in the Machine:

Comments: A more perfect example of the problems with the Jimmy Olsen title would be hard to imagine. Yes, it's somewhat amusing to see Jimmy's problems defeating the Bug. But in the end, he has to do it himself, or else he's not much of a hero. The art, by George Papp is serviceable but nothing special.

The second story is the cover one, and it's drawn by Pete Costanza. I like Costanza's art, but it has a cartoonish, old-timey feeling that didn't suit DC's house style in the 1960s. In the story, Jimmy Olsen is being given a big build-up for a new TV show featuring his adventures. As you can see here, even the target audience recognized the problems pointed out above about his characterization:

And we quickly see that stardom has gone to his head, as he refuses to sign autographs for his adoring public. When Life Magazine comes to inteview him at his new penthouse digs, he claims to be bored with his Superman trophies.

Alright, so I'm already guessing that this is some sort of plot by Superman and Jimmy to trap the Collector. This is one of the problems with Weisinger's puzzle covers; they almost always boil down to a plan to catch a crook or fool some aliens.

Jimmy gives Lucy Lane the cold shoulder here:

Of course, the continental dish's name is a combination of Sophia Loren and Brigitte Bardot, two of the hottest women on the silver screen at the time. Jimmy also snubs his fan club members, resulting in a bit of a bonfire:

Even the girls in his fan club wear bow ties? When rival reporters begin needling Jimmy about his only being famous because he's Superman's pal, he decides to show of his own abilities. First he tries a tight-rope act between two skyscrapers. But the rope breaks and he's only saved by the guy in the cape. And the same thing happens when Jimmy decides to go over Niagara Falls in a plastic bubble. When he jumps out of a plane followed by a parachute, a sudden storm blows it away and he's only saved by, you guessed it.

Jimmy's getting a little tired of the Man of Steel always horning in, and so he announces that he's no longer Superman's pal. There follows the contest to determine a new buddy, and Josh Oberlin is the winner. Meanwhile, Jimmy gets fired from the Daily Planet for always showing up late, and his TV show is canceled due to poor ratings. Desperate for cash, he shows up at the Collector's fortress to sell of his Superman trophies for a million dollars. The criminal is careful to check Jimmy for any microphones or listening devices.

Included are some items that would be very valuable to a crook, like this one:

But when the Collector opens up his lead-lined vault to reveal items he's stolen, Superman bursts in. How did he know the vault was open, with no "bugs" on Olsen or in the trophies?

There follows a needless explanation of how Superman and Jimmy collaborated on all his failed stunts, and a mention that Josh Oberlin will forever after be Jimmy Olsen's backup as Superman's pal. If he ever appeared again, the GCD doesn't have a record of it.

Comments: Overly predictable, but entertaining. Jimmy Olsen would remain a strong-selling title for the next few years, but the silly stories and immature nature of the title character probably ensured the steadily declining sales that the book showed for the next several years, as the Baby Boom turned into the Baby Bust and publishers tried to sell their wares to an older audience.
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Edited Reprints: Supergirl and the Legion

Người đăng: Unknown on Thứ Hai, 5 tháng 4, 2010

I just noticed this today due to a discussion at Commander Benson's Deck Log about Supergirl and the Legion of Super-Heroes. In Action #267, Supergirl first meets the Legion, although not that Legion:

As I remarked a few years ago, Weisinger obviously recognized the problem with introducing Supergirl to the same Legion that Superboy belonged to; that would mean that Superman would not be surprised when Supergirl landed on Earth, since he'd known of her eventual arrival since his teenage years. So he took care of the problem, except that when the Legion became a continuing series he and his writers obviously wanted to include Kara in their adventures. So, as discussed by Commander Benson:
Weisinger’s explanation became official with the next issue, # 334 (Jul., 1965). “The Unknown Legionnaire” was one of those rare Legion adventures in which Supergirl played a large part, and it didn’t take long after the super-cousins appeared side by side that a footnote was inserted, establishing that Supergirl had implanted a post-hypnotic suggestion in Superboy’s mind so that he would forget her existence when he returned to his own time. Thus, paving the way for his total surprise as an adult when cousin Kara landed on Earth.

And so, when Weisinger reprinted this story in Action #334, the dialog was rewritten:

Note that this also gets rid of a bit of Lysenko-type science. Lightning Lad acquired his powers after a run-in with a lightning beast; there would be no reason to expect his son to inherit that genetically. Of course, there are many examples of this assumption appearing in the comics, but realistically the only parents who could give their powers to their offspring are those that have them from birth.

Some other examples of edited reprints in (or of) the Silver Age:

The second origin of the second Two-Face. The second Two-Face was Paul Sloane. In his original appearance in Batman #68, the hideous side of his face was the result of a jealous husband; when the tale was reprinted in Batman Annual #3, it was caused by an accidental explosion. I suspect that the CCA wanted the love triangle edited out of the story.

The Death of Ma and Pa Kent. When the story was originally published in Superman #161, the Kents were an elderly couple. But in Superboy #145, the Kents were transformed into thirty-somethings by a bottle of youth elixir. Thus, when the story explaining their deaths was reprinted in Superboy #165, their bodies and faces were redrawn to make them look younger.

Anybody aware of other changes? I seem to recall that the cover of JLA #2 was redrawn for the Archive Edition.
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Action #314

Người đăng: Unknown on Thứ Hai, 8 tháng 3, 2010



This is one of the few Action issues from around this era that I didn't have in my collection until recently, and all I can say is, good Lord, I didn't know what I was missing. It starts with Aquaman and a few other JLA members signaling Superman to visit them on a remote island, where we learn:

Of course, Jor-El sent dozens of such messages to Superman during the Silver Age; indeed it would be a chore to catalog them all. At any rate, Jor-El wants to tell his son how Earth was chosen for his new home. It turned out that there were six possible worlds he could be sent to. Fortunately, one of Jor-El's friend has a future predictor:

It turns out that on the first world of Xann, he would be tiny compared to the other inhabitants, although he would retain his super-powers. Jor-El decides not to send him to Xann, because there he'd have nobody to marry. The second world, Valair, has no land, only water, and Kal-El's unhappy living his life under the seas. The third world has a red sun, so Kal would not have any super-powers there, but he does learn to compensate:

But he finds that some of the natives want to use his arrow-inventions for evil and leaves society to live on his own. Obviously that world is out. On the next one, it's always night and Kal-El takes on a lawman role:

On the penultimate world, Superman's adoptive father invents a ray that would give him super-speed, but the scene shown on the cover occurs when he gets a little too enthusiastic about trying out his powers. So Earth it is:

Comments: A silly story, obviously set up to deliver that surprise at the end where we realize that Superman would have been a one-man JLA. It does leave me feeling a little sad that he didn't end up getting sent to the planet of Amazonia, where he could have become Wonder Woman with the aid of a gender-transforming ray invented by his adoptive mom. ;)

But it is in the Supergirl story that things really get wacky. Remember, when Supergirl originally arrived on Earth, her parents had supposedly died when meteors struck Argo City. However, in Action #309, it was revealed that they had survived by beaming themselves into the Survival Zone, a dimension much like the Phantom Zone. Zor-El and Allura decided that they wanted to live among their fellow Kryptonians in the bottle city of Kandor, while Supergirl remained on Earth with the Danvers. However, all was not well:

As you can probably guess, she's heart-sick for her daughter, who never visits, never calls. Then one day:

So you can see she's gone completely mentally unstable. The authorities take back the android, without apparently considering that maybe, just maybe, they could make a similar doll for Allura that would ease her pain. They decide to contact Supergirl, but as it happens, she's out and the Danvers receive the call. Realizing that Allura's health is more important than their love for their adopted daughter, they decide to, wait for it, practice mental cruelty on Supergirl so that she will rejoin her natural parents. No, I'm not kidding:



But eventually Kara overhears the Danvers tearfully discussing how hard it is to be so mean to their daughter and discovers the reason why they've been treating her badly. She visits Kandor and suggests that she should stay their permanently, but apparently Mom realizes Earth needs its Supergirl. The only solution is for the Danvers to move to Kandor while the exchange ray brings out Zor-El and Allura. At first this looks like a great solution, as Supergirl's parents can join her in protecting Earth. But what of the Danvers?

The Chief Healer comes up with a solution:

The story ends as a cliff-hanger; will Supergirl's parents be happy on Earth? Can the Danvers find love in their heart for Dar-Lin?

Comments: Wow, what a wild story. I confess that I always enjoy these psychological dramas more than the run-of-the-mill secret identity stories, but this tale was completely wacked-out.
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Supergirl Vol. 5 #50

Người đăng: Unknown on Thứ Năm, 4 tháng 3, 2010


Supergirl Vol. 5 #50
CBR | March 2010 | 47 Pages (2 Covers) | 39.3 MB
Plus! A look into a day in the life of the Girl of Steel written by Jake Black and Supergirl herself, actress Helen Slater! Featuring a cover by the man who redefined Supergirl for the 21st century, Michael Turner, SUPERGIRL #50 is an extra-sized extravaganza you won't want to miss! Written by Sterling Gates, Helen Slater and Jake Black; Art by Jamal Igle, Jon Sibal and Fernando Dagnino; Cover by Michael Turner; Variant cover by Joshua Middleton

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Guest Post: More Jack Schiff "Recycling"

Người đăng: Unknown on Chủ Nhật, 3 tháng 1, 2010

Here's an solid post from commenter Jim building on some themes we have discussed here in the past:

In an interesting post (December 16, 2009), Pat pointed out how several Silver Age Superman stories appear to have been deliberately "synchronized" with Batman stories published around the same time, and he invited readers to send in other examples. His post inspired me to look more closely at something I'd noticed a few years ago, but hadn't bothered to investigate further. Here's what I found.

Submitted for your consideration: the cover of Blackhawk #151, dated August 1960 and edited by Jack Schiff.

Here we see Lady Blackhawk, with super-powers, "flying through the air -- and smashing [a] boulder" (as Blackhawk rather superfluously points out to the reader).

Now let's move ahead a few months and look at the cover of another comic edited by Jack Schiff -- Tales of the Unexpected #56 (December 1960).


I don't need to belabor the similarities between the two covers.

Now what might have given Schiff the idea of running two covers featuring female supporting characters -- pretty blondes in short skirts -- demonstrating super-powers to the consternation of their male counterparts?

For an answer, let's go back a year or so and take a look at the iconic cover of Action #252 (May 1959) -- the issue that introduced Supergirl:


It was obviously important for Silver Age editors to come up with eye-catching covers. There were a lot of comic books being published, and they were competing for the limited pocket change of their (mostly) juvenile readers. I'm sure Julius Schwartz wasn't the only editor who assumed that if a particular issue sold well, it was on account of the cover.

I'm guessing that Action #252 sold well -- at least well enough to justify keeping Supergirl as a regular "second feature." And I'm speculating that its strong sales inspired Schiff to put super-powered blondes on the covers of two of his titles at the earliest opportunity.

At this point, I began wondering about another book edited by Schiff -- Challengers of the Unknown. June Robbins was an "honorary Challenger" who regularly joined Ace, Rocky, Red, and Prof on their adventures. I didn't recall any story in which June gained super-powers, but I thumbed through my longbox and came up with this issue -- dated August/September 1960:


June's a brunette, but as a "lady giant" she has superhuman strength -- and she's using it to save her male partners from danger. (And we have another one of those charmingly redundant word-balloons that were such a common feature of Silver Age covers.)

As Pat said: "Once is happenstance, twice is coincidence, and the third time it's a trend." I believe I spotted a trend -- and an example of the working of a comic editor's mind during the Silver Age.

Comments from Pat: This ties in with several of my past posts. I talked about Jack Schiff's habit of recycling covers and story elements between Blackhawk and Batman on two separate occasions. And I also talked about the sudden influx of women into the comic book superhero world of the late 1950s here.

Great job, Jim!
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Trivia Quiz #37: Answers

Người đăng: Unknown on Thứ Tư, 2 tháng 12, 2009

1. Why is this happening?

c. It's actually a Bizarro Supergirl.

2. Why is this happening?

b. It's an effect caused by a comet

3. Why is this happening?

b. It's a plot to increase the Daily Planet's circulation
d. It's an effort to save Superman's secret identity

Yep, this is a trick question. Lois had printed up a gag copy of the Daily Planet with the news that Clark was Superman, but through an accident the entire press run got printed that way. Clark decided this would be a good way to scotch the rumors that he was Superman and convinced Perry this was an opportunity to increase circulation.

4. Why is this happening?

c. It's an effect of Red Kryptonite
d. It's a scheme by a saboteur

Another trick question. The Red K was planted by a saboteur, who knew that Superman would become susceptible to suggestions under its influence, and so he had Supes pretend to dance uncontrollably, so he could enter a naval installation to destroy a new ship.

5. Why is this happening?

c. It's a plot to fool some crooks

Jim got #1 and #3 correct, and was the only one to realize that some questions had more than one answer. Tom O got #1, #2 and #5 correct and gets half credit for #3. Daniel scores with #5 and gets half a point for #4. Ed O'Toole gets full marks for #5, and half credit for #3 and #4. Great job, everybody!
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Fifty Years Ago Today

Người đăng: Unknown on Thứ Ba, 31 tháng 3, 2009



This comic, one of the true Silver Age "keys" appeared on the newsstands on March 31, 1959. Although DC had toyed with the idea of a female version of Superman on several occasions, this was the first that they decided to accept such a character on an on-going basis.

It was also the first time since about 1939 that the cover of Action featured a story that was not the Superman story. Yep, Supergirl did not appear in the Superman story, rather she popped up in her very own feature.

The Superman story in this issue featured Metallo. Although I didn't know it at the time, the concept of Metallo had appeared on a few occasions in the past; indeed when one was encountered in an early World's Finest, Lois Lane referred to it as "a Metallo" as if there were quite a few out there. The concept in the DC universe always amounted to a man inside a robot's body, and such was the case here.

John Corben, a reporter, has just committed the perfect crime, murdering the only man who knew he was guilty of being an embezzler. But in a moment he is shattered when his car crashes off a hillside. Fortunately a professor happens by who can save his life, but at quite a cost:



The only thing that can keep his body ticking is uranium, or another element. Unfortunately the professor keels over of a stroke before he can tell Metallo of the second source of power. Corben discovers that he has super strength with his new body. He gets a job at the Daily Planet, where he astounds Clark with his steel grip. But Lois is less impressed when Corben tries to hustle her.

Corben commits several robberies to build up a reasonable stockpile of uranium, but he'd rather have the second element which can last indefinitely. Fortunately the professor has recovered and advises Corben that what he really needs is Kryptonite, a small sample of which he has in a safe. Corben takes the Kryptonite, intending to use it to kill Superman. He wedges it near some pipes in a museum where Superman is about to make an appearance, and puts another sample of Kryptonite which he found in the museum in his body to power it.

But Superman manages to stay alive by focusing the heat of his x-ray vision on the Kryptonite, melting it. And Metallo finds out that the sample of Kryptonite at the museum was phony, and dies.

Comments: Clearly this story was inspired by the famous Atom Man story from the Superman radio show, where a German was injected with Kryptonite which gave him tremendous powers. The young man joined the staff of the Daily Planet and attempted to kill Superman.

The second story features Congo Bill as Congorilla. Congo Bill was a longtime DC character, having debuted in More Fun Comics #56. He switched over to Action with #37, and thus this was his 216th appearance in that magazine. A few years earlier he had gained the power to exchange bodies with a golden gorilla, giving him great strength. In this story, Congo Bill foils a plot by some French Foreign Legion mutineers.

Now we come at last to the reason why this comic is so highly prized by collectors: the debut of Supergirl! Here's her first in-story appearance:



A rocket from Krypton has landed on Earth, and the above is what Superman sees.

Now the decision to make her a girl caused some plot problems. Since Superman was a baby when Krypton exploded, it should be obvious that anyone so much younger than he could not have been born on that planet. Supergirl explains a chunk of Krypton called Argo City was thrown off into space when the planet exploded, with a group of survivors and sufficient atmosphere to support them. However, they did have one problem; the ground had turned into Kryptonite:



That scene of the workers rolling out the lead would be shown many times in the Silver Age; along with the shrinking of Kandor, it was one of the most-reprinted sequences. Zor-El and his wife would eventually have a daughter, Kara. Unfortunately a meteor shower punctured the lead, dooming the residents of Argo City. But Zor-El saved his daughter by sending her to Earth in a small rocket.

The echoes of Superman's own origin are obvious, but the pair discovered another link between them:



As a new relative for Clark would attract suspicion, Superman puts Kara into an orphanage in the town of Midvale, with instructions not to let anybody know that a Supergirl exists. She adopts the name Linda Lee and a brown, pigtailed wig as her disguise.



Comments: It is difficult to overstate the importance of Supergirl. Although DC had made fits and starts towards introducing female counterparts for their male heroes, such as Batwoman, Lady Blackhawk and Miss Arrowette, this was the only time between the late 1940s and the late 1960s that a new female superhero was given her own feature right off the bat. And she appeared in Action Comics, one of the biggest-selling comic magazines in the country. In addition, Supergirl got a big boost from being part of the Superman family, as she very quickly began making guest appearances in Lois Lane and Jimmy Olsen (especially after her existence was announced to the world).

Supergirl is, by a wide margin, the most important female character in comics during the Silver Age. Only Wonder Woman even has an argument, and given the wretched state of that feature during the 1960s, I don't think many people will make the case.

Update: Superman was not the only major DC character who got a significant addition to his family 50 years ago today.
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