I like the fifties Atlas versions of their triad of superheroes, Captain America, Human Torch and Sub-Mariner. I thought the artwork was very good. John Romita’s work on Captain America stands out for me. He had been drawing comics since 1949, but when he did this issue of
Captain America #78 (1954 — the last issue until the sixties) he was a mature-in-style but young-in-age 24-year-old comic artist with the work he would be most recognized for still a decade and more in the future.
Since Cap was the patriotic hero he needed enemies of America on which to beat, and in the fifties that meant communists. At that time communist activity in the U.S. was mostly done in secret, but in the lead story the communist monster wears his hammer-and-sickle on his chest. Knowing your enemies by what they wear worked in World War II, when a swastika meant there was an enemy due for a butt-kicking. By 1954 the enemy was much more savvy than to wear his affiliation on the outside. Still, this is a comic, and symbols in comics give instant identification between good guys and bad.
