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Hiển thị các bài đăng có nhãn Classic Comics. Hiển thị tất cả bài đăng

Tomahawk #81

Người đăng: Unknown on Thứ Ba, 13 tháng 12, 2011

Add Miss Liberty to my list of unexpected DC female heroines of 1959-62.  I believe she qualifies as DC's earliest masked character with a few arguable exceptions, and none of those made second appearances, while Miss Liberty returned several times in the next few years.

The opening story has Tomahawk chasing down a renegade and his band of Indian followers who have robbed a small settlement.  The quarry splits up into three different parties to make tracking them down harder.  The first band is headed for the forest, where they will be impossible to catch, but Tomahawk has an idea:

He frees the logs and they roll down the hill, blocking the pass so he can capture the first third of the group.  When they have been captured, they reveal that an old medicine man had predicted the means of trapping them:
Mysterious predictions like this one are a staple of DC plots; the entertainment comes from seeing how they come true.  As usual, there are three predictions the seer made, but the first party refuses to reveal the other two. 

A little later they encounter the second group.  Caught out in the open they are forced to improvise until the enemy runs out of ammunition:
And thus we learn what the second prediction had been.  Tomahawk and Dan locate the old medicine man to find out his third forecast:

And sure enough, when they encounter the last group of the renegade's men, the prediction comes true:
Comments: Solid entertainment.  GCD doesn't list the writer, but the art is by longtime Tomahawk stalwart, Fred Ray.

The second story is Tomahawk's Frontier Valet. The basic premise of the story is laid out here:
As you can probably tell from that panel, the gag here is the basic "fish out of water" premise that is very common in TV and movies; The Beverly Hillbillies is a good example.  It's not hard to guess that Tomahawk and Dan will find having a valet a very mixed blessing, although one assumes that on at least one occasion he will prove useful. 

Word comes of Lord Boswell's whereabouts:
Note the stark simplicity and beauty of that panel.  Fred Ray's name doesn't come up often on the list of great artists of the Silver Age, but that's mostly because he wasn't drawing superheroes.

As they set out in search of Lord Boswell, Tomahawk and Dan are captured by the hostile tribe.  And, as I predicted:
Terrific characterization there.  However, he falls from his horse and accidentally destroys a sacred war-club.  The hostiles decide that they must take the trio back to their chief to determine their fate.  When they meet the chief, they discover Lord Boswell is there as well.  He's apparently lost his memory as he does not recognize them.  The chief decrees that they are to die at sunrise.

But Tomahawk escapes, kayos Lord Boswell and disguises himself to look like the English gentleman.  This enables him to move freely about the camp and prepare some surprises for the hostile tribe:
They escape with Lord Boswell, who has recovered his memory thanks to that sock on the jaw from Tomahawk.


Comments: A little gem of a story, where everything meshes perfectly.

The finale is the cover story.  As shown on the cover, Tomahawk and Dan have been captured by a force of Indians and Redcoats, when Miss Liberty makes her first dramatic appearance:
She frees the buckskin-clad heroes and then diverts the attention of the chasers so that Tomahawk and Dan can make their way into the nearby town of Newton.  We learn what has attracted the attention of the British:
We also meet a pretty nurse who's about to journey to the next town with some medicines.  Afterwards, she lingers outside the apothecary shop:
And indeed, the British have prepared a trap for them.  Fortunately, Miss Liberty and some friends of hers have arranged a surprise:
We learn more about her here, including the need for a secret identity:
The British issue a proclamation that any village harboring Tomahawk and Dan will be razed and its inhabitants driven from the territory.  In due course they learn that the heroes are in Wilk's Landing and thus:
But it was all a plan to get the munitions out of the town and to Washington's army:
Comments: Wow, once again terrific characterization; the sacrifice of the townspeople is quite moving.

Overall the Silver Age Tomahawk is not that fondly remembered, due to some of the sillier elements of apes, monsters and weird transformations so common to the time infecting the series.  But this issue is superb, with three great stories and excellent art throughout by Ray.  In fact, I have no hesitation in dubbing this one of the Silver Age's:



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Superboy #68

Người đăng: Unknown on Thứ Tư, 9 tháng 2, 2011


Although he became a comical, silly character in the 1960s, the original Bizarro, shown above, was played as a tragic figure initially. The story is somewhat loosely based on Frankenstein as portrayed in the Boris Karloff 1930s movie, which in turn was somewhat loosely based on Mary Shelley's classic novel.

As the story starts, Superboy is helping an inventor, who is trying to duplicate a sample of radium. If his duplicator ray works, it will be a boon to hospitals, which use radium to treat patients.

An aside here: Radium was constantly being mentioned in the Silver Age. It was used as a treatment for cancer, with radium being planted in the body to kill the cancer cells (and probably a fair amount on non-cancerous cells. It is not used any more that way; according to this site, it is more common to use either indium or caesium, although the actual treatment is still pretty similar. Radium was indeed an extremely valuable substance and remains pretty spendy: Current prices are about $50 million per pound.

But the experiment does not work; the synthetic radium fails to register on the Geiger counter. But as Superboy is about to leave, the inventor trips, and accidentally beams the ray on the Boy of Steel, creating a faulty duplicate:

It's probably not commonly known, but in the original Frankenstein book by Shelley, the monstrous part of the monster was not that he was horrifically ugly, or that he had an abnormal brain (he didn't). It was that he lacked a soul.

When they return from getting rid of the glowing pieces of the machine, Bizarro has gone for a walk. Superboy asks again, is it alive? No, insists the inventor, no more than a car that moves is alive. We get the first inkling that Bizarro doesn't talk the way he did on the cover here:

Bizarro is upset at the reactions of the people to him, who recoil in horror. But when he sees his own reflection in a shop window, he reacts similarly:

But Superboy is helping corral some escaped animals from the Smallville Zoo (which appeared to have very poor animal enclosures, judging by how often breakouts happened). A posse is quickly formed, led by Professor Dalton, but their efforts to shoot Bizarro have no effect on the monster's invulnerable skin.

He retreats to the safety of the Kents' home, but Mom is terrified of her new "son":

He adopts a farming family on the outskirts of town and attempts to be helpful. But when he wears a scarecrow costume to town as his secret identity:

A psychiatrist could probably write a dissertation on why kids found Bizarro so compelling. On the one hand, the monster often makes silly mistakes while trying to do good; it's not hard to see how youngsters could find themselves in the same situation. On the other hand, he's so goofy that the readers, only a few years removed from infantile behavior themselves, could feel superior to him.

But at the end of Chapter 1, Bizarro finds one person who "sees" the real him:

Melissa is an amalgam of two characters from the movie, in which Frankenstein encounters a girl too young to be frightened of him, and a blind man who befriends him.

In the second part of the story, Bizarro comes to school and disrupts a gym class with his extraordinary strength, forcing Clark to save his fellow students:

He melts the screws with the heat of his X-ray vision. The boys reject Bizarro and he flies off in tears. Superboy realizes it's time for some more drastic measures. He locates a Kryptonite meteor in space, and, wearing a lead costume to protect himself, hurls it at the monster. But Bizarro is immune to the glowing fragments of the planet Krypton.

Determined to prove his good intentions, Bizarro sculpts a likeness of Superboy on a nearby mountain. But improbably:

Superboy and the military team up to try to destroy Bizarro with conventional weaponry, but (aside from some dynamic action), nothing happens. However, as he flies back to Smallville, Bizarro is momentarily weakened when he passes a garbage truck.

Bizarro overhears Melissa wishing that there was a babbling brook in her backyard, and drills down to a spring to create one. But when she falls into the water, he learns that she is blind. If she were sighted, she'd fear him like the rest of Smallville. Meanwhile, Superboy has realized that the glowing fragments of the machine that created Bizarro are what weakened him. And:

Their collision destroys Bizarro, but it does have an upside:

Comments: An absolute classic. I loved this story the first time I read it in a reprint giant as a youngster, and it still enchants me. It must have been very popular with the kids of the time, for DC soon brought back Bizarro as an antagonist for the adult Superman. Weisinger encouraged the kids to write in with their ideas about the stupid things the Bizarros did. This proved popular enough that they were briefly given the backup slot in Adventure Comics, bumping Aquaman.
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