Hiển thị các bài đăng có nhãn My Greatest Adventure. Hiển thị tất cả bài đăng
Hiển thị các bài đăng có nhãn My Greatest Adventure. Hiển thị tất cả bài đăng

Number 1501: Lou Cameron travels through time

Người đăng: Unknown on Thứ Sáu, 3 tháng 1, 2014

These two stories with time travel themes are drawn by Lou Cameron, a favorite fifties comic book artist. The first story, “Mission Into Time” (which begins with a date of 2014) is from Ace Comics’ Space Action #3 (1952, last issue), and the second, “I Was the First Future Man” is from DC’s My Greatest Adventure #24 (1958). You can see how Cameron developed as an artist in six years. (The stories are not very good, a problem with science fiction stories packed into six or seven pages.)

Cameron didn’t stay much longer in the comic book field. According to the Wikipedia entry on Lou Cameron, he wrote an estimated 300 novels, mostly in the Western genre, many of them under pen names. He created the popular Longarm series as well as the Renegade and Stringer series. Cameron died in November, 2010.














More about

Number 1476: Interplanetary Robinson Crusoe

Người đăng: Unknown on Thứ Sáu, 22 tháng 11, 2013

Writers and aspiring writers, take note if you have problems finding plots for your stories. Just steal. Or if you prefer, call it “homage.” Like this shorty from My Greatest Adventure #24 (1958), written by a fan of author Daniel Defore. It saved a lot of trouble by just taking some incidents from Defoe’s work and transplanting them to a science fiction adventure. Not only that, but it created instant reader identification because Robinson Crusoe is a work so well known it’s practically imprinted on our brains at birth.

I like the artwork by comic book journeyman Jim Mooney, and I got a kick out of the hero finding raw diamonds that look like cut stones lying on the ground. It may have had something to do with editor Jack Schiff telling Mooney to make it obvious to their young readers that the stone were actually diamonds, because the kids might not recognize them as such in their uncut form.









More about

Number 1227: “I was a prisoner of Captain Kidd!”

Người đăng: Unknown on Thứ Sáu, 14 tháng 9, 2012

September 19th is “Talk Like a Pirate Day” and I will have a pirate story for you that day. I also have a pirate story for you today. I guess pirates are on my mind this week.

Bill Ely did the excellent art on this story from DC's My Greatest Adventure #11 (1956). I've featured Ely before, and I'll give you a link after reminding you that Ely was a very early comic book pioneer, and drew all through the Golden Age of comics. He then drew for DC for several years, into the 1960s. He is one of those journeymen who do not get the recognition they deserve from fans. Look at this story, his drawing, the detail, the panel composition. It all points to him being one of the top illustrative artists in the comics. And yet under-appreciated by comics fans. I'd like to help change that.

There's more DC work by Ely in Pappy's #772.









More about

My Greatest Adventure #73

Người đăng: Unknown on Thứ Hai, 21 tháng 11, 2011

My Greatest Adventure was a DC series that mostly featured first-person tales of derring-do. The opening tale is the cover feature, and it's a definite corker. Mitchell, the "sahib" on the cover, has tried and failed three times to climb Nanda Devi, the tallest mountain entirely in India, and the 23rd tallest in the world. When he turns back from the third attempt, he meets an aged monk:
As a young man, the monk had been entrusted with a prayer wheel that he was supposed to deliver to the lamasery. But on spotting the summit so close, he decided to try to become the first to reach it. Leaving the wheel behind, he nearly reached the peak, but was driven back by fierce weather. Lamed by frostbite, he was unable to reclimb the mountain to retrieve the prayer wheel, but he had discovered a way around the tricky ledge that had foiled Mitchell. He tells the latter the route, on the condition that the climber bring back the wheel on his descent.
They reach the summit, but Mitchell reneges on his promise and during the descent the mountain strikes back (as shown on the cover). Finally he decides to return for the prayer wheel:
Comments: A terrific story by Bob Haney and superb art by Lee Elias. Mitchell may be based loosely on Hugh Ruttledge, who indeed failed in his three attempts to summit Nanda Devi. Incidentally, the letters page includes some comments about Haney's qualifications to write this story:
The second story is about a man surveying a cavern. He discovers a pool which has a strange effect on him:
He heads back to the nearest town, where he finds himself compelled to steal a carboy of heavy water. Once again the pool works its strange magic, and he returns to town to steal some radium. This time he discovers that an alien has controlled him:
He steals the gyroscope and the alien is able to leave Earth behind. Comments: The story is nothing special, but the art is by Gene Colan. The finale is drawn by Mort Meskin. We Fought the Lost Kamikaze Battalion is a pretty standard story about some folks visiting a Pacific island and encountering some Japanese soldiers who do not accept that the war is over; I have discussed these stories before. However, this one does have a definite twist ending:
And thus:
Comments: Love that ending; it comes completely out of the blue.

One oddity to note: This title was at the time (late 1962) edited by Murray Boltinoff. I am not sure if this was the first book he officially edited but I do know that the vast majority of DC non-romance titles at the time were edited by Jack Schiff, Robert Kanigher, Mort Weissinger and Julius Schwartz.
More about

Người đăng: Unknown on Thứ Sáu, 23 tháng 9, 2011


Number 1022


Brush and pen: two by Lee Elias


Readers, I see the scrolling viewer that has given me so much heartburn this past week is gone. Did Blogger get feedback that convinced them to go back to the old way? My biggest complaint was when going into my archives it was a hassle to read my old postings. StatCounter showed that total readership for this blog was down by 1/3 this past week. I suspect it might have been that viewer.

And now, as they say, back to our regularly scheduled program...



Lee Elias had a varied comics career from the 1940s to the '80s: artist's assistant (George Wunder, Al Capp), syndicated strip (Beyond Mars), comic book artist (Fiction House, Harvey, DC, Warren, among others), and in his later years, a magazine illustrator and painter. In comic books Elias' work shows up in love, war, science fiction, horror and mystery comics, not to mention the sexy masked Black Cat, or a space hero like Tommy Tomorrow. The two stories here are a couple of those little gems from DC's mystery-science fiction comics of the '60s. "My Brother Is A Robot" evokes the Adam Link stories of Eando Binder, and is a poignant tale from 1960's My Greatest Adventure #42. It has a gorilla, too. A plus for me!

"Bang! Bang! You're Dead!" is from Tales Of the Unexpected #102, 1967. This story has a young protagonist able to see invisible monsters with a pair of mysterious glasses, and not believed by his parents.

Elias' versatility as an artist shows in both these stories. "Robot" is inked with a brush, the favorite tool of comic artists since the days of Milton Caniff, a style with which Elias excelled. He used a pen for inking "Bang!", filling in black areas with the brush. Either way works, although "Robot" appears smoother and slicker with its tight brushwork. The pen brings out some dynamics in "Bang!" with the shorter, looser strokes of the pen.

Elias was born Leopold Elias in the UK in 1920, emigrated to the US, and died in 1998 at age 77.
















More about