Hiển thị các bài đăng có nhãn Joe Shuster. Hiển thị tất cả bài đăng
Hiển thị các bài đăng có nhãn Joe Shuster. Hiển thị tất cả bài đăng

Number 1231: Funnyman — tragic, man!

Người đăng: Unknown on Thứ Sáu, 21 tháng 9, 2012


I wrote in Pappy's #798 my opinion of why Jerry Siegel and Joe Shuster, Superman's creators, created Funnyman in the wake of being sacked by DC Comics, losing their most famous creation.

Funnyman wasn't funny — at least not as funny as the premise of the character made him out to be, a baggy-pants, old school shtick comedian with a secret identity:

Yuk, yuk.

Funnyman is an interesting failure, and also interesting as part of the still ongoing history of the world's most iconic superhero, and the tragic story of its creators.

From Funnyman #2 (1948):










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Người đăng: Unknown on Chủ Nhật, 29 tháng 8, 2010


Number 798


Born of a nightmare


Consider if Edgar Rice Burroughs had lost Tarzan to a huge corporation which made millions in profit from the character over the years, and fired Burroughs from writing his own creation. Think of Conan Doyle losing Sherlock Holmes in a similar fashion. Good thing those nightmare scenarios never happened.

Superman is an icon like those characters, yet the nightmare happened to creators Jerry Siegel and Joe Shuster. A few years after being bumped from Superman they came up with another character, Funnyman. I'm sure they knew all about the Superman lawsuit against Fawcett over Captain Marvel and their lawyers may have told them, "Make any new characters you create unlike Superman or DC will sue." Funnyman is about as un-Supermanlike as you can get.


OK, so Funnyman isn't so funny...more oddball than humorous. And if anyone other than Siegel and Shuster had come up with the character our expectations might not have been so high. But he's not all that bad, either. Unfortunately, he didn't get much time to prove anything one way or another. His self-titled comic was canceled after six issues.

The Grand Comics Database says this was drawn by Shuster, but it isn't. I don't know who drew it, but it wasn't Shuster. I like Queen Hotcha, and she's a hottie, but she's not a Joe Shuster hottie.

The story, inspired by Mark Twain's A Connecticut Yankee in King Arthur's Court is from Funnyman #4, 1948.















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Book Review: Boys of Steel

Người đăng: Unknown on Thứ Ba, 10 tháng 11, 2009


I recently received an email from Marc Tyler Nobleman, the author of this book, and tracked down a copy of Boys of Steel at my local public library.

The book tells the story of Jerry Siegel and Joe Shuster's effort to get publishers to accept their Superman character. It's aimed at youngsters from 8 years old and up (although it is suitable to be read to even younger children), but the book entertained and charmed this middle-aged comics fan.

Nobleman creates sympathy for Siegel right from the first page, where we learn that Jerry preferred being at home, with his friends, rather than in high school. Siegel's "friends" were the pulp heroes of his time, like Tarzan and Doc Savage. Eventually he finds another buddy who shares his interest in those types of adventure stories, an aspiring artist named Joe Shuster.

The idea for Superman came to Siegel one night while tossing and turning in bed. He got up to write down some of his thoughts, and the next morning dashed over to Shuster, who shared his excitement in the character. But publishers turned out to be less enthusiastic, and it was only after the S&S boys became established in the comics industry (creating characters like Slam Bradley and Dr Occult) that the company that would become DC published Superman in its first issue of Action Comics. And the rest, as they say, is history, with Superman rocketing to stardom in comics, newspaper strips, cartoons, radio, TV and the movies.

Nobleman has an engaging writing style that makes the book a quick read and he clearly loves his topic. Each page features the retro-30's-style illustrations of Ross MacDonald, which supplement the text perfectly. This is a beautiful book that gives an inspiring message to kids that success may not come easy, but it does come with diligence and persistence. At the end, there are three pages of text only that give the story behind the story, detailing the longstanding efforts by Siegel and Shuster (and their heirs) to retrieve the rights to the character.

Although I was familiar with much of the background, the book did provide some surprises. Siegel's father died of a heart attack while being robbed at his clothing store. This created an additional motivation for Jerry to create a hero who would fight crime and injustice.

Boys of Steel has received numerous positive reviews and awards, which you can see at Nobleman's blog. It is an American Library Association Notable Children's Book for 2009 and A Junior Library Guild Selection. I cannot recommend this book highly enough. If you'd like to buy it (the book would make a great Christmas gift), consider getting it from my Amazon store:



Marc mentions that he is currently working on a similar biography of Bill Finger, the writer who co-created Batman. I look forward to that volume with great anticipation!
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Người đăng: Unknown on Chủ Nhật, 13 tháng 9, 2009



Number 592



"He counteracts our every murderous move with some new screwy gadget!"


Funnyman was a genuine attempt by Superman creators Jerry Siegel and Joe Shuster to create a new character they would wholly own, and that would be as successful as Superman. The tale of woe over ownership of Superman is a tragedy, told many times in many places, and you've got to admire them for even trying to recapture that magic with another feature.

Too bad it didn't work. In 1948 Funnyman lasted just six issues in his own magazine, and a short time in a daily comic strip distributed by Bell Syndicate. I'm sure the failure of Funnyman had the effect of further crushing Siegel and Shuster's spirits.

This 10-page story is from Funnyman #2, March, 1948, published by ME Comics.

I'm not sure who came up with the idea for a superhero in a clown suit, but despite his creators' credentials it seems like an idea that was doomed from the start. Even so, I like this story because in appearance it reminds me of Joe Shuster's vintage Superman artwork, and I like the gimmick of the Jet Jallopy.











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Shuster's ghost identified?

Although Funnyman is signed Siegel and Shuster it's known that Shuster used several artists, including Dick Ayers, to assist him. But at least they used his style.

In Pappy's #578 I wrote of Joe Shuster's ghost artist on strips signed by Shuster but looking nothing like his artwork. Just recently I was looking at a 1951 comic book story identified as being by Bill Molno, an artist whose name I had not previously heard. I instantly recognized this artist's "tell", which is a character with a Vandyck beard.

The top picture is from the 1951 strip, the bottom from the 1954 story in Strange Suspense Stories signed by Joe Shuster and Ray Osrin.

If the attribution on the 1951 comic is correct then the solution to the mystery of Shuster's ghost is comic book artist Bill Molno, a longtime Charlton staffer.

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Người đăng: Unknown on Thứ Tư, 19 tháng 8, 2009



Number 578



Joe Shuster's ghost


After writing a review of Craig Yoe's Secret Identity, The Fetish Art of Superman's Co-creator, Joe Shuster I did a little research. Since Shuster did the illustrations for the Nights of Horror booklets that caused such a stir in 1954, I looked at some other work he did that year. Or should I say, didn't do. I have a couple of strips signed by Joe Shuster for Charlton Comics. I scanned these stories from 1954, "Secrets Of the Box" from Strange Stories of Suspense #22 and "Quest of the Beyond" from This Magazine Is Haunted #20. They're inked by Ray Osrin, but although the top signature says Joe Shuster, it appears to me that Shuster hired a ghost to do the pencils. None of the artwork in these strips looks anything like the Joe Shuster artwork for Nights of Horror, or for other work I associate with him, early Superman or even 1948's Funnyman. It doesn't make much sense for him to do unsigned artwork for Nights of Horror and make it look like the Superman creator Joe Shuster, and then sign artwork for Charlton that obviously wasn't by him. But that's what looks like happened.

I also posted an unsigned strip in Pappy's #331 called "Mental Wizard" from Charlton's The Thing #16, which is obviously by the same artist. Check out the bearded character, who looks like Smirnov in "The Secret In the Box."

Maybe Craig Yoe can figure it all out. As he showed in Secret Identity, he's good at this sort of detective work!

Stay for one more comment after you read the second story.












Do you think that last panel is goofy? That's not a human heart, but a Valentine heart. Since it's supposed to be a human heart my thought is that being 1954, with loud criticism of horror comics at an ear-splitting level, somebody in charge at Charlton said, "Better soft pedal that last panel. Put in something that is supposed to be a human heart but not so gory." I don't know that's what happened, but like Shuster's ghost, I can't figure out it out otherwise.
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