Hiển thị các bài đăng có nhãn Police Comics. Hiển thị tất cả bài đăng
Hiển thị các bài đăng có nhãn Police Comics. Hiển thị tất cả bài đăng

Number 1515: Little brain, big body

Người đăng: Unknown on Thứ Hai, 27 tháng 1, 2014

A week ago I showed the Jack Cole story, “Murder, Morphine and Me” from True Crime #2. It featured the “injury to the eye motif” panel in Fredric Wertham’s anti-comics screed, Seduction of the Innocent. A week later I’m showing you more Jack Cole, and one other injury to the eye panel.

Above is the cover of Police Comics #24, which is yet another example. Kids saw this sort of thing every time they saw a Three Stooges film short. Did Jack Cole have a thing about attacking eyeballs? I don’t know, but if you know of any similar panels in other stories of his let me know.

Eyeball attacks notwithstanding, this is a totally screwball story, which has to be read to be appreciated. You know you’re in the middle of something bizarre when you see a panel where the top of a man’s head is blown off and on the ground nearby lies a waiting brain.

From Police Comics #11 (1942):










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Number 1498: The back-ups

Người đăng: Unknown on Chủ Nhật, 29 tháng 12, 2013


These three well-drawn short stories, all from Police Comics #11 (1942), struck me for different reasons. The first, “Chic Carter,” has a swamp monster (or at least what appears to be). Something shambling out of a swamp, fake or not, gets my attention.

“Firebrand” was the first cover feature of Police Comics. He lost the position to Jack Cole’s Plastic Man. “The Mouthpiece” appears to be one more Spirit lookalike from the company that owned the Spirit. In addition to Spirit, who dressed in a suit and wore a mask, Quality had Midnight and the Mouthpiece. Are there any more blue-suited crimefighters with Lone Ranger masks from Quality I have missed?


Fred Guardineer, who drew the Mouthpiece, is responsible for the above head-spinning electric chair panel. Fred drew many a similar panel when he went to work for Charles Biro at Crime Does Not Pay. Lee Ames, who drew this episode of Firebrand, went on to a career which included book illustration and how-to-draw books. Vern Henkel, artist on the Chic Carter story, began his career by sending a story he wrote and drew to publisher “Busy” Arnold in the days when comic books were in the so-called Platinum Age.
















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Number 1493: Spirit of the haunted house

Người đăng: Unknown on Thứ Sáu, 20 tháng 12, 2013

This Spirit episode was originally published in its newspaper Comic Book Section on December 12, 1940. It was reprinted in Police Comics #19 in 1943, which is the source of my scans. An interesting sidelight to this moody and effective story of an old dark house on a bleak and rainy night, is that the Grand Comics Database credits Joe Kubert with the coloring. Yes, that Joe Kubert. The GCD doesn't distinguish between the original and the reprint when reporting Kubert as colorist, but I’ll assume they mean the reprint. Joe was 16-years-old at the time.

Another item of interest for you Marvel Comics fans: Sam Rosen, a familiar name from countless comics of the 1960s, is credited with the lettering.








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Number 1460: The Phantom Ladies

Người đăng: Unknown on Thứ Sáu, 25 tháng 10, 2013

A week ago I showed a story drawn by Frank Borth, and I included the splash panel for his first Phantom Lady story in Police Comics #17 (1943). I have that story today, and you can see what a superb artist Borth was, one of the top-notch talents at Quality Comics. The story, though, is filler; a bit of fluff.

The Phantom Lady, who is Sandra Knight, has a beau named Don, who doesn’t have a lot to do in that first story. He appears again in our second story from Phantom Lady #22 (1949). I don’t know why Phantom Lady, still Sandra Knight, moved from Quality to Fox Features and got a new costume. I assume the reason no one notices Phantom Lady is Sandra is because in those sexy costumes no one is looking at her face.

Sandra’s boyfriend, Don, is back in “The Case of the Robbing Robot,” with more to do in this story. He gets to dress in drag. The story has some humor to it, and is drawn by Jack Kamen in his pre-EC days.

















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