Hiển thị các bài đăng có nhãn Jerry Siegel. Hiển thị tất cả bài đăng
Hiển thị các bài đăng có nhãn Jerry Siegel. Hiển thị tất cả bài đăng

Number 1573: Erling and Hanley

Người đăng: Unknown on Thứ Sáu, 9 tháng 5, 2014

In late March I showed some great comic pages by the late Alan Hanley, scanned from pages published in Alan Light’s The Buyer’s Guide to Comics Fandom in the mid-1970s. Today I’ve got more Hanley in the form of his re-drawings of the origin of Jon Juan, a comic written by Jerry Siegel and drawn by the inimitable Alex Schomburg. I posted the Schomburg version that Hanley used for his drawings, along with another Jon Juan story in 2011. Just click on the thumbnail:


Hanley’s version:




One of my favorite cartoonists appearing in TBG was George Erling, who had a really funny and appealing style. George’s comic strips were filled with surreal characters inspired by cartoonists like Herriman, Holman, Ahern and other screwball cartoonists of a bygone era, yet brought up to date in an underground comix/homage style. These “Clark the Collector” strips are from 1976 and '77. Both Hanley and Erling had the ability to remind one of the past while staying in the present; the best of both worlds.






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Number 1231: Funnyman — tragic, man!

Người đăng: Unknown on Thứ Sáu, 21 tháng 9, 2012


I wrote in Pappy's #798 my opinion of why Jerry Siegel and Joe Shuster, Superman's creators, created Funnyman in the wake of being sacked by DC Comics, losing their most famous creation.

Funnyman wasn't funny — at least not as funny as the premise of the character made him out to be, a baggy-pants, old school shtick comedian with a secret identity:

Yuk, yuk.

Funnyman is an interesting failure, and also interesting as part of the still ongoing history of the world's most iconic superhero, and the tragic story of its creators.

From Funnyman #2 (1948):










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The Curious Case of the Time Trapper

Người đăng: Unknown on Thứ Năm, 27 tháng 10, 2011

Faithful readers of the Legion of Superheroes must have been confused at this sequence, which appeared in Adventure #317:
Why confused? Well, it turns out that this was the first mention of the Time Trapper in a Legion story. At the very end of that story (which mostly did not concern TT) came a semi-explanation:
In the next issue, we got our first glimpse of the villain:
Note in particular his physical appearance there. Over the next year or so, we'd see more futile efforts by the Legion to break through:
The Time Trapper turned out to be working behind the scenes in that story, trying to find out the secret of the Legion's super weapon, the concentrator:
But it turns out that he does not have the real secret of the concentrator and flees into the future again. Amazingly, the Time Trapper story would not be resolved until Adventure #338, almost two years after he was first mentioned:
In that story, the Time Trapper has recruited an evil female, Glorith of Baalour, to help him doom the Legion. We get a strong indication of the plot here:
However, when she tries the trick on several members of the Legion, they do not regress in age past babyhood:
Frustrated in his plot to turn the Legion into blobs of protoplasm, he joins Glorith, after first letting Superboy and Brainiac 5 through the Iron Curtain of Time. He leaves them trapped in the future and sets about training the baby Legionnaires to rob for him:
Then he brings them to a planet where elements in the atmosphere will resume their devolution. But this causes problems, too:
But one of the babies has spotted the Time Trapper's ring, which is responsible for keeping Superboy and Brainiac 5 in the future. He switches it off, allowing them to join the group. The Trapper makes a proposal:
Brainiac 5 agrees, but there is a trick:
End of story? Well, yes and no. Yes, in the sense that it quite literally is the end of the Time Trapper in the Silver Age; he did not appear again outside of a hallucination sequence in Adventure 363. Which, if you think about it, is very odd. Here's this villain whose confrontation with the Legion had been built up over the course of two years, and yet they dispose of him in a single 16-page story? It doesn't make a whole lot of sense. So I began digging for clues and speculating a bit. The first clue is that initial mention of the Time Trapper in Adventure #317. It appears obvious that there was supposed to be a Time Trapper story which appeared before that, but which was bumped for some reason. And if we look at the cover to Adventure #317, we get a pretty good second clue:
Speculation: Perhaps the Time Trapper story which appeared in Adventure #338 was intended to appear just before #317, but editor Mort Weisinger belatedly realized that this would give him two consecutive stories featuring Legionnaires turning into babies? This fits, especially when you consider that Adventure #338 was written by Jerry Siegel, while #317 was written by Edmund Hamilton. Weisinger could have instructed Hamilton (or artist John Forte) to include a couple panels mentioning the Time Trapper.

There are certainly still some problems with this speculation. For example, the story does not end with the Time Trapper in the future, creating the Iron Curtain of Time. But this objection is easily overcome; Weisinger simply had the ending of the story rewritten because now it took place after the events in #317, instead of before. Note as well that the story in Adventure #338 did not explain what secret the Time Trapper was supposedly concealing from the Legion in the future.

So my best guess is that the Time Trapper story that was supposed to be published before Adventure #317 was in fact the story that ended up being published in Adventure #338, with some changes. Incidentally, the Time Trapper himself may have been based on the Time Master, a similar character that appeared in Wonder Woman #101:
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Người đăng: Unknown on Thứ Tư, 21 tháng 9, 2011


Number 1021


The World's Greatest Lover


Jon Juan, which came out in 1950 under the Toby Press imprint, was either a one-shot or failed after one issue. Or maybe Alex Schomburg, who did the artwork for Jon Juan, decided drawing pages of comic books wasn't his thing. He'd done some of the most famous and greatest covers of the Golden Age. Here are two of my favorites, one done during World War II, one after.



Jerry Siegel, hyped on the cover as "the originator of Superman," wrote Jon Juan. I'd heard of the comic, but had never seen it until I ran across it in an IW reprint comic from 1958: Dream Of Love, where these two stories appeared and where I got my scans.

Jon Juan is an Atlantean, a great lover, thawed out of the ice he had fallen into when jealous men tried to kill him. He goes throughout history making love. Wow, what a vocation! "He's just a gigolo, and everywhere he goes"...errr, anyway, I give Siegel credit for some very funny writing. I'm sorry Jon Juan wasn't a hit. The idea of a guy going throughout history chasing women appeals to me, and it's obvious Jerry Siegel had a way with the flowery dialogue of a romantic swain. As Jon Juan himself puts it, "Can I help it if their neglected women cast lovelorn glances in my direction? Can I be blamed if my nimble tongue sought out the proper words to solace thwarted femininity?" I couldn't have put it better myself.
















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