Hiển thị các bài đăng có nhãn Spooky. Hiển thị tất cả bài đăng
Hiển thị các bài đăng có nhãn Spooky. Hiển thị tất cả bài đăng

Number 1221: Post ghosties

Người đăng: Unknown on Thứ Hai, 3 tháng 9, 2012

Here are a couple of excellent examples of why Howard Post was one of the best pure cartoonists to work in comic books. These two stories, first from Harvey Comics' Spooky #3 (1956) and the second from Spooky #9 (1957), are full of action, funny characters and move like animated cartoons.

My favorite of the two is “Legend of Creepy Hollow,” and its story of old ghosts being dispossessed of their haunted house. Spooky solves their problem by hauling them to town in a wagon where they scare the townsfolk. What it reminds me of is me and the rest of the aging Woodstock generation, moving into retirement and scaring those who think we're going to take all the government benefits and leave you young folks nothing! So, BOO! Bwaaaaaa-hahaha!

There's more Howie Post (including scans of original art) in Pappy's #1086.











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Người đăng: Unknown on Thứ Tư, 11 tháng 1, 2012


Number 1086


The good "bad" artist


What struck me about this 1960's Spooky story from Harvey's Casper and Nightmare #27 is that artist Howie Post is supposed to show Spooky as a bad artist. In "Pencilman" Post draws what are supposed to be bad drawings. They are charming, instead. Post was too good at what he did.

Howard Post began working in comics in the mid-'40s, and was very prolific over the next few decades. In comic books he drew mostly children's comics, although he worked in other genres, even for a time in animation. He created and drew Anthro for DC, and had a 13-year stint on a syndicated comic strip, The Dropouts. But I think most of his large body of comic book work appeared anonymously in Harvey Comics. Like the lead Harvey artist, Warren Kremer, Howie Post's distinctive style stands out. Harvey stopped publishing new comics in the 1980s. Post died at age 83, in 2010.











I found this original art posted on Heritage Auctions. It's from Spooky Spooktown #23, 1968.






This penciled page by Post, also found at Heritage, effectively shows his drawing skill in pencil form.

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Người đăng: Unknown on Thứ Hai, 15 tháng 3, 2010


Number 701



Spooky, spooked!


This is the first Spooky story, which saw print in Casper the Friendly Ghost #10, 1953, for you Harvey Comics fans out there.

There's no indication in the story that Spooky was anything more than a walk-on character who would never be seen again. He went on to have a long-running relationship with Harvey, right up to the day they closed their doors. What's interesting, from a creative standpoint, is that Spooky had exactly the same look in his first story as he did all through his comic book lifespan. That's rare, where characters who run for decades often change in subtle or even dramatic ways. Not Spooky! He was still wearing his doiby and had the same freckles at the end as he had at the beginning.

This story was also seen in black and white in the big Casper book edited by Leslie Cabarga.

I believe the artwork to be by Steve Muffatti.






**********

Say what...?

Perhaps Metaluna wasn't destroyed after all. This Exeter lookalike was spotted at Walmart.

I love that cool Metaluna look!




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Người đăng: Unknown on Thứ Hai, 8 tháng 2, 2010


Number 681


Ectoplasmic Giggles


Two goofy ghost stories from Giggle Comics.

Moonlighting animators wrote and drew the humor comics for what became the American Comics Group. These early issues were produced for the publisher by the Sangor Shop. Hubie Karp wrote the Spencer Spook story, but the writer isn't credited for Spooky. Ken Champin, who did Spencer, was a longtime animator and comic book artist. The Grand Comics Database is spotty on information for this title, but I think Spooky was succeeded by Spencer, who appear to be similar characters. Over the years the feature was handled by several artists. In my opinion the greatest artist of them all was Jack Bradbury. Go here for several of Bradbury's hilarious Spencer Spook stories, lovingly preserved and scanned by Jack's son.

"Spooky" is from Giggle Comics #8, 1944, and "Spencer Spook" is from #22, 1945.













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Single Issue Review: Tuff Ghosts #34

Người đăng: Unknown on Thứ Tư, 6 tháng 8, 2008



I haven't given enough attention to Harvey Comics so far, so I thought I might try a couple posts on their features. Harvey's product was aimed at a slightly younger demographic than the superhero books of the Silver Age. Tuff Ghosts appears to be something of a tweener book--for kids who may have outgrown the often saccharine Casper the Friendly Ghost and are looking for a ghost with a little more edge to him.

Spooky, shown above, was easily distinguished from Casper, due to the hat, his freckles and his much more aggressive demeanor. The opening story is a pretty simple one-pager. Spooky spots a skunk who seems already frightened. He's being chased by a fox. Spooky scares the fox away and the skunk and all his family thank him, but they're stinking up the joint, so he boos them away.

The next story is the main story in the comic and it is here that we realize that it is indeed January 1968, as the title is "The Case of the Top Secret Spy". Spooky is forced by a spy to steal secret blueprints, because the spy has a special ray that makes the ghost obey his commands. But while photographing the plans, the spy is careless and Spooky seizes the ray and takes over. It's probably an entertaining story for little kids and well-timed to take advantage of the spy craze of the 1960s. The story has a very oddball ending:



As nice as peace on earth sounds, I'm just a little uncomfortable with the concept of peaceful rays.

There are two oddball stories that deal with what were called bums then and would today be called homeless. In the first story, a king of the road approaches Casper's house. Casper is glad the Ghostly Trio aren't there to frighten the man, but of course Casper himself is enough to scare the wits out of him. There is a happy ending:



In the other, the Ghostly Trio (the Three Stooges of the ethereal set) encounter a hobo skunk who has taken up residence in the house they are haunting, and so they have to try to drive him out. This story resolves itself exactly like the first one, with the ghosts enduring the odor of a whole bunch of skunks. Seems a bit odd that they would throw two such similar stories in the same issue, and why would ghosts have a sense of smell, anyway?

The final story features Nightmare, the Galloping Ghost, who enters a cave and finds a land of shadows. Two of the shadows attach themselves to her, but they bicker so much that she eventually tires of them and boos them away.

Comments: Not much there for an adult to grab hold of aside from the spies cultural marker. I don't think I'll be reading a lot of Tuff Ghosts or Spooky again. Not terrible by any means (and the art isn't half bad), but clearly strictly for the kiddies.
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