Number 1534: The monster sets her Capp for Li'l Abner

It’s been a generation since Li’l Abner disappeared from newspapers. It was 1977 when creator/writer/artist Al Capp, sick with emphysema from a lifetime of smoking, shut down the strip. It, like Capp, had been in decline for some time. Capp died two years later, in 1979.

The strip was one of the most popular comic strips during the period of the thirties through at least the mid-sixties. It even influenced popular culture. Sadie Hawkins' Day, which is the subject of today’s post, became an annual event at some colleges and high schools. Up until 1952 Li’l Abner avoided being caught by Daisy Mae.

As biographical information about Capp shows, he had a troubled life and probably had personality disorders which caused him to be a total jerk at times,and then a generous, funny and friendly person at others. Maybe sitting at a drawing board for over 40 years, putting out sharp and oftentimes savage satire — Capp was a conservative when he died, but as a former liberal he still had a stinging view of the rich — will do that to a guy. Speaking of savage, the little character in this story who straps dynamite to his chest is a lot closer to today’s world than that of Li’l Abner.

I have shown this before, several years ago. These are new scans. From Al Capp’s Li'l Abner #74 (1950):

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Cartoonist Mel Lazarus (Miss Peach, Momma was an editor at Toby Press, which published this comic. The company was founded in 1949 by Capp’s brother, Elliott Caplin. This page of gag cartoons by Lazarus is from the inside front cover of the issue.

More Li’l Abner is available at the Hairy Green Eyeball blog, including Li’l Abner Sundays from 1960 and reprint strips of Li’l Abner that appeared in newspaper in 1988 and 1989: Part 1 and Part 2.

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Number 1218: Capp slapped by the Spirit

Here are a couple of questions for knowledgeable Pappy readers. Some years ago I read an interview with Will Eisner where he told a story of being contacted by Al Capp. The Li’l Abner creator told Eisner he wanted to trade satires of each other’s strips. Eisner said Capp never followed up. So what I’m wondering is, where did I read that, and is this the strip Eisner used for his satire, or is this an Eisner “Slapp at Capp” after feeling betrayed?

Either way, this is Eisner going after the big boys of comic strip syndication. I would think either Harold Gray (Elmer Hay) or Chester Gould (Hector Ghoul) might feel insulted, not to mention Capp. As satire it seems more than just a friendly nod or gentle nudge in the ribs. A particular target of Eisner's satire is the Dick Tracy/Fearless Fosdick situation. Gould felt that Capp over-reached by making Fearless Fosdick — who began as a one-off caricature of the Dick Tracy comic strip — a semi-regular character in Li’l Abner. I assume he was further aggrieved when Fearless Fosdick got commercial endorsements like Wildroot Cream Oil, which made $$$ for Capp, none for Gould. As for Harold Gray, I have no idea what he thought of The Spirit.  Maybe Gray didn't care what Eisner did. Maybe he never saw it. Unlike Gray’s large following, there were only a few papers carrying the Spirit's Comic Book Section.

This is an interesting Spirit story, and I'd love to know the background of this particular episode.

Originally published July 20, 1947. This is scanned from The Spirit #1 (Warren, 1974):

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Number 1186: Life goes to the funnies

For a magazine that didn't run gag cartoons (unlike other popular publications, Saturday Evening Post, Look and Colliers), Life ran many articles on cartoonists, cartooning, and comic strips. Here are some examples I've culled from issues published in 1945 and '46.

The public watched Skeezix grow up and go off to war in Frank King's "Gasoline Alley." This article from the Life issue of June 4, 1946, shows a sequence with returned soldiers Skeezix and Wilmer hiring their old sergeant.

"Miss Lace" was a strip done for the troops by Milton Caniff. The article in Life was promoting the book, Male Call, bringing the sexy Miss Lace to the general public shortly before the war with Japan ended. This article is from the issue dated June 8, 1945.

Al Capp may have been the most popular cartoonist in America at the time. Capp had one leg and a huge ego. He got a chance to be the star by telling his own story, "Li'l Abner" style. The excerpts are from the comic Capp produced for amputees returning from the war. The text article is a biography of Capp that reads like a typical puff piece. It tells us he worked for Ham Fisher on "Joe Palooka," but not that Fisher claimed Capp stole the idea of the hillbilly family from him. We also read in the article that Li'l Abner was based on a young Henry Fonda. This longer than usual article is from Life, June 24, 1946.

The end of the article segués nicely into the contest that made Basil Wolverton known (and notorious) around the world! He won the Draw Lena the Hyena contest. As far as I'm concerned the runners-up shown here aren't even in the same league as Wolverton, who won out of a field of 500,000 entries.

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