Hiển thị các bài đăng có nhãn John Buscema. Hiển thị tất cả bài đăng
Hiển thị các bài đăng có nhãn John Buscema. Hiển thị tất cả bài đăng

Người đăng: Unknown on Thứ Hai, 2 tháng 5, 2011


Number 940


John Buscema, Wanted man!


When John Buscema died at age 75 in 2002 he left behind thousands of pages of superhero and fantasy-barbarian artwork for his fans to collect and admire. But like most comic book artists who started in the late 1940s, as he did, the bread-and-butter comic book work was in the genre fields: crime, romance, western, etc. Buscema, who had studied famous illustrators, as well as his comic art gods like Raymond, Foster and Caniff, was a superior artist at depicting "civilian" subjects (non-costumed characters, non-fantasy characters, that is). Looking at these two strips from Orbit Publications' Wanted Comics, you can see all of the things that made Buscema's art great, but in the milieu of the dark, dangerous and dirty world of criminals.

"Gang Doctor" is from Wanted Comics #32, 1950, and "They All Died" is from Wanted Comics #48, 1952:















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Người đăng: Unknown on Thứ Hai, 2 tháng 8, 2010


Number 783


Science Fiction Week: "The Train That Vanished"


Science Fiction Week continues with a story drawn by John Buscema.

I was impressed by this story from Forbidden Worlds #87 in 1959, when I first read it, and especially liked the art. Buscema's panels explaining the Möbius strip made an impact on me. I actually learned something! The story wasn't original, though. A few years later I read an anthology from Astounding Science Fiction, and there was the story, "A Subway Named Möbius," by A. J. Duetsch, originally published in 1950.









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Người đăng: Unknown on Chủ Nhật, 25 tháng 10, 2009


Number 616


Buscema @ ACG


I don't need to tell anyone about John Buscema. I hope not, anyway. He was one of the best pencillers in the business for many years, drawing thousands of pages for Marvel Comics in the 1960s and '70s.

These are two superbly illustrated 1959 stories by John Buscema for ACG's Adventures Into the Unknown numbers 108 and 110.

Buscema died at age 74 in 2002.


















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Người đăng: Unknown on Thứ Sáu, 22 tháng 6, 2007



Number 150


John Buscema's Helen Of Troy



Dell Movie adaptations were very popular in the 1950s. I bought my share of them.

What interested me about Helen Of Troy (the movie) was the star, Italian actress Rossana Podesta, who in my nine-year-old brain I had elevated to the level of goddess. I thought she was totally hot. My dad must've thought so, too, because he took me to the movie. Did I mention I was nine-years-old? Do nine-year-olds harbor such lusty thoughts? I did.

Besides Rossana Podesta I had another secret fetish for Helen of Troy. Dad had some books his father had bought for him about 1930-31. The books were a four-volume set, My Book Of History, published in 1930 by The Book House For Children. They may have been published for children, but some of the pictures were very un-childlike, either to a nine-year-old kid or a 59-year-old adult, for that matter. This is the My Book Of History version of how Paris met Menelaos' wife, Helen. See those perky boobs--and how can you miss them--she's pointing right at Paris? Boy, howdy, did that picture make an impression on me. The artist is someone named Simpson.

Click on pictures for full-size images.

John Buscema was the artist who drew Dell's adaptation of Helen Of Troy, but I didn't know that until quite a while after Buscema's art became familiar to me in the late '60s-early '70s. By that later stage of his career Buscema was fully immersed in the Marvel Comics style, drawing super-heroes like The Avengers and sword-and-sorcery like Conan. His art was full of action, Jack Kirby-style. By comparison, Helen Of Troy (published as Dell Four Color #684, and dated March, 1956) was more sedate and illustrative, more Hal Foster's Prince Valiant than Jack Kirby. Not that he didn't draw some action in Helen. The fight scenes are very good. Buscema's art is solid and well-suited to the material.

The thing I immediately noticed about the comic Helen Of Troy is that in the end Paris lived. In the movie he was killed. The comic doesn't dodge this, nor does the movie, but basically the story of Helen and Paris is of a guy stealing a man's wife. Yeah, it's also a story about a big war and eventually a big wooden horse, but in its distilled form it's about two people with a hankering for hanky-panky. For a long time in literature and motion pictures there was an unwritten rule about adultery. If people committed adultery then someone had to die. Adultery was one of those understandable, but unforgivable sins, so the punishment was usually death. In the movie, Helen Of Troy, that unwritten rule was enforced, but in the comic book it wasn't. We found out that Paris had survived just a couple of panels before the "Dell Pledge To Parents" which says, "[Dell Comics] eliminates entirely, rather than regulates, objectionable material." OK…if they say so.

Some vandal--and it was most likely me--took a grease pencil to some of Page 5. Sorry about that.




































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