Hiển thị các bài đăng có nhãn John Severin. Hiển thị tất cả bài đăng
Hiển thị các bài đăng có nhãn John Severin. Hiển thị tất cả bài đăng

Number 1594: There wuz giants in them thar days!

Người đăng: Unknown on Thứ Sáu, 20 tháng 6, 2014

If the credits in the Grand Comics Database for Marvel’s Black Rider #8 (actually #1, 1950) are correct, then the artists who drew this story are giants of comic art. That seems appropriate since the story is called “The Mystery of the Valley of Giants.” GCD says (with their ? meaning they’re not quite sure) that the story was drawn by Syd Shores, Joe Maneely, John Severin and Russ Heath. Wow! What a crew. If you are an art spotter you can go through and see where each artist’s style pops up.

Not only are those art credits interesting, the cover photo is claimed to be Stan Lee in costume. Maybe any gun experts reading this can tell me if the pistols Stan “Black Rider” Lee is holding are real. To me they look like a set I wore circa 1952. They came with a Hopalong Cassidy outfit I got for Christmas.




















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Number 1395: Sergeant Barker/Bilko

Người đăng: Unknown on Thứ Tư, 3 tháng 7, 2013

Sergeant Barney Barker, a character from Atlas Comics in the fifties, was cashing in on the popularity of The Phil Silvers Show (originally You’ll Never Get Rich), a CBS comedy starring Silvers as conniving Sergeant Ernie Bilko. I was a Bilko fan, and watched the show in its original run and in syndication.

The sponsor was Camel cigarettes. Here’s an ad from a 1956 campaign tieing in with the show, using a fumetti-style comic strip featuring Silvers and Maurice Gosfield as Pvt. Duane Doberman.
DC Comics licensed the characters for a Sergeant Bilko comic, and even a spin-off title, Sgt. Bilko’s Pvt Doberman, both drawn by Bob Oksner. The derivative Barker strip wasn’t long-lived. According to the Atlas Tales website there was the issue these two short-stories came from, G.I. Tales #4 (1956), and three issues of Sergeant Barney Barker (with a cover tagline, “Even with Barker we won the war!”) Nowadays I can appreciate Barney Barker because it was drawn by John Severin. In the fifties I would have turned up my nose at it for being “fake Bilko.” Yes, I was that kind of person; I didn’t like imitation, and yet now I see it as being an interesting sidelight to the popularity of the television show.










Here's yet another Barney Barker story from Four-Color Shadows.
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Number 1359: Boyoboy! The Boy Commandos

Người đăng: Unknown on Thứ Tư, 1 tháng 5, 2013

We’re in day three of our “Boyoboy! Week,” where we’re celebrating those kid-gang comic book heroes of the past. Today, the Boy Commandos, created by Joe Simon and Jack Kirby after they slipped the tether at Timely Comics, then moved to DC. The Boy Commandos were created as a wartime group but lasted until 1949. While they were popular they had their own title, and appeared also in Detective Comics and World’s Finest Comics.

Even during their wartime days the stories occasionally slipped into fantasy and science fiction, and so it is with “The Triumph of William Tell” from Boy Commandos #30 (1948). The Grand Comics Database credits the penciling to John Severin and the inking to George Klein? (Question mark means they’re not sure.)











I’ve featured Boy Commandos a half dozen other times on this blog, but in this posting from 2010 I explain how I lost my near-mint copy of the first issue at the San Diego Comicon. It’s a sad story, and a cautionary tale at that. You may need a hanky when reading it.

Click on the picture to go there:




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Number 1340: That '70s show!

Người đăng: Unknown on Thứ Sáu, 29 tháng 3, 2013

Here at Pappy's Golden Age we are usually stuck in the 1940s and '50s, and so I’m going to the Pappy closet. I'm putting on a polyester shirt, some bell bottom jeans, my platform shoes and I’m dusting off the disco ball for a journey to the future...to 1975, and the short-lived Atlas Comics line. You may remember when Marvel Comics founder Martin Goodman created a rival comic book company, threw a bunch of comics onto the stands and was out of business in a very short time.

Among his publications was Weird Tales of the Macabre, which was part of the big black and white explosion of the era. I’m showing two stories from this issue by two cartoonists who had different approaches, but whose work in black line looked great: Pat Boyette, whose work appeared mainly in Charlton comics, and John Severin, who worked a lot for Marvel and was a regular at Cracked. I thought it appropriate that the issue the Severin story appeared in also had an ad for monster model kits.

From Weird Tales of the Macabre #2 (final issue), 1975:

















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