Hiển thị các bài đăng có nhãn Mort Meskin. Hiển thị tất cả bài đăng
Hiển thị các bài đăng có nhãn Mort Meskin. Hiển thị tất cả bài đăng

Người đăng: Unknown on Chủ Nhật, 11 tháng 10, 2009


Number 608



Vigilante and the Dummy X 2


Ventriloquist's dummies are a cliché in horror stories. They're weird looking caricatures of humans, and voices come out of their mouths. One of Vigilante's enemies is a guy who looks like a ventriloquist's dummy. How weird is that? I guess it depends on how spooked you are by ventriloquists' dummies.

The Vigilante is Greg Sanders, who is a radio star, a singing cowboy. His partner is Stuff, also known as the Chinatown Kid.

These two stories are from Action Comics. "Blunderbuss Booty" is from Action #75, August 1944, and "The Dummy Art Expert" is from Action #87, August 1945. They're drawn by Mort Meskin, an artist who mentored the young Joe Kubert, and if the story is to be believed, influenced the young Steve Ditko. I like Meskin's use of blacks, which give the stories a deep, shadowy look.

Meskin was a comic book pro for many years until quitting in 1965 to go into advertising. He retired in the '80s and died in 1995. I'd consider him to be a pro's pro...an artist that other artists looked to for inspiration. The scans are from tearsheets I got in the late '70s. They're ragged and brittle around the edges so there are chunks missing here and there.

I have presented some other Vigilante stories, in Pappy's #406, and Pappy's #463.






















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Single Issue Review: My Greatest Adventure #74

Người đăng: Unknown on Chủ Nhật, 1 tháng 3, 2009


(Cover art by Gene Colan)

DC had quite a few different lines of books in the early 1960s--Superhero, War, Romance, Science Fiction. It also featured what I call "Adventure" books, like Challengers of the Unknown, and My Greatest Adventure. The gimmick with MGA is that the stories were all written in the first person, as if the man (mostly) who had the adventure was telling it to us.

In the first story, We Were Challenged by the River Spirit, a guide leads an expedition of vacationers up the Zambezi in Africa. Shenzi, a river spirit seems to show an inordinate interest in Lita, a young heiress. Shenzi is explained to us here:



But is Shenzi really after Lita, or is it her scheming cousin, who would inherit her dough if she perished?

Comments: Beautiful art by Paul Parker according to the GCD. Vibrant colors, excellent details, and careful shading make this otherwise predictable story a standout.

The second story, I Climbed the Tower of Terror, is drawn by comics legend Mort Meskin. A steeplejack, working on a high-rise is startled when a cloud hits his building and he realizes it's solid, so he climbs onto it and is trapped when it floats away from the building. A short while later, a plane carrying a pilot, his girlfriend and a crooked banker who's trying to escape the law for 72 hours crash into the same cloud. The pilot is severely injured and needs medical attention quickly, but the banker is inclined to wait out his 72 hours and he's got a gun. It turns out they're stranded on the island of Hirandi, which had previously been in the Persian Gulf. A native explains:



The steeplejack has an idea how to get them down, but it requires the banker's gun. He creates a makeshift grappling hook and sticks it into the gun (yeah) and shoots it at the top of the tower. He climbs to the top and smashes the statue. The island lands (somewhere in France apparently fairly gently), and the authorities arrive to arrest, not the crooked banker but:



Comments: So-so story and Meskin mailed this one in. Cute twist at the end, so that the steelworker gets the girl.

The last story is the cover tale, Doom Was My Inheritance and is drawn by Gene Colan. A young man named Adam Lake is searching for his long-lost father. He finds Simon Horst, an old explorer friend of his father, who has become wealthy from an emerald mine. Simon makes a strange offer:



But the old man has set traps for Adam along the way as we saw on the cover. The girl decides to accompany him, but strangely this does not make Simon cease trying to kill them. The plot follows the "three-act play" format, with the jaguar, whirlpool and maze traps as shown on the cover. In the end, Adam finds his father, who was cheated out of the emerald mine by Simon, and the father defeats Simon to prove he was the better man. Adam gets both his dad back and a new girlfriend, even if he doesn't yet get half the emerald mine.

Comments: Solid story with the distinctive Colan touch. As always I'm mesmerized by his ability to get facial expressions so right they have a photographic quality about them despite little apparent effort as here:



It almost looks like he's cheating with Photoshop there, but of course this was in 1962.

Overall comments: This issue was fine artistically, but only the last story really holds together well and even that has some holes.

Oddity: Check out one of the endorsers of the American Specialty Company Christmas card ads:



Kevorkian? That's a distinctive enough name, and according to this website he was related:

My friend Kitty died on SuperBowl Sunday. Kitty was at his home in Roxbury, Massachusetts, in bed, watching the television when he died. It is still too soon to know the cause of death-- most likely a cardio-vascular event. Kitty was 54.

Kitty was his gay name. "When we all got gay names, I took mine from Kitty Carlisle." His born name was Harry Kevorkian. He grew up in Michigan. His uncle is Dr. Jack Kevorkian; because of Jack's efforts in behalf of assisted suicide he became a man of considerable notoriety and was imprisoned. Back in the 90s, I once asked Kitty if his uncle's notoriety had changed his life in any way. "Well, Mitzel," Kitty sniffed, "I no longer have to spell my name when I make restaurant reservations." Kitty loved good food and fancy restaurants.


Died at 54 in 2002, that would make him 14 at the time this comic came out; sounds like the same guy to me.
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Người đăng: Unknown on Chủ Nhật, 1 tháng 2, 2009



Number 463


"Shoot me for a kiyoodling coyote..."


Vigilante is radio singin' cowboy Greg Sanders, who moonlights as the bandanna-wearin', two-fisted do-gooder. He's aided by yet another version of Robin, "Stuff," a kid from Chinatown. In this particular silent opus, we have to imagine the squawking sounds from the strings of the villain, the "frustrated concert violinist," Ben Bowe, aka The Fiddler. I guess if ever there was a real excuse to be a criminal, not being able to play Carnegie Hall would have to top the list.

Didn't The Flash also have a foe called The Fiddler? Checking with the Grand Comics Database I see a notation about this episode of Vigilante: "The Fiddler is not the same villain as Flash's." Aha. Two villains with the same name working for the same comic book company? Who's in charge of continuity here?

Whoever wrote this story gave it some pretty snappy dialogue. Vigilante: "Are you hurt, Stuff?" The boy replies, "I'm not feeling kittenish." ...whatever that means, and maybe it meant something in 1943 that is lost to us now, but I think it's funny.

Mort Meskin, as "Mort Morton," and "Charley," Charles Paris, did the art chores on this story from Action Comics #59, April 1943. Meskin created the character with Mort Weisinger, and I've included the origin story from a DC reprint of the early 1970s. Meskin's artwork is dynamic and dramatic, aided by the equally dynamic and dramatic inking of Paris, who worked a lot on the Batman comics over a couple of decades. I believe, except for some occasions, that Meskin was essentially THE Vigilante artist. Vigilante, who also appeared in Leading Comics with the second banana group, Seven Soldiers of Victory, was one of the more popular features in Action Comics for years, and might be the most popular DC character who never earned his own book.













UPDATE: Readers Mike and Carole Curtis asked me to refer you to a link about the 1947 Vigilante movie serial starring Ralph (Dick Tracy) Byrd.








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Người đăng: Unknown on Thứ Sáu, 26 tháng 12, 2008


Number 442


Boxing Day noir


Americans don't know what Boxing Day is, a holiday celebrated in the rest of the English-language speaking world. For my fellow Americans, here's an explanation of Boxing Day.

I don't have a posting that relates to the Boxing Day holiday so I came up with a boxing strip. This is from Silver Scream #2, from 1991, a black and white reprint from Harvey Comics' 1954 Black Cat Mystery #51. The drawing is by Mort Meskin. Because of the moodiness of horror comics, I think some would have been improved had they been printed originally in black and white. Oftentimes the coloring detracted, rather than added, to the mood. "Punch and Rudy," sans comic book colors, is a noirish story, stark and dark, with a punch ending (literally).





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While on the subject of noir, recently I watched the film, Blast Of Silence, part of the Criterion Collection on DVD. The movie was made as an indy film in 1960, released in '61. It was written , directed, and starred Allen Baron. The reason I mention it in Pappy's is that Allen Baron was a comic book artist sometime in the Golden Age. In the German-produced documentary that accompanies the movie, there are some quick and tantalizing shots of comic book original art. I did some screen captures. I didn't find Allen Baron in the Grand Comics Database, but maybe somebody out there will recognize these stories.




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