Hiển thị các bài đăng có nhãn Boys' Life. Hiển thị tất cả bài đăng
Hiển thị các bài đăng có nhãn Boys' Life. Hiển thị tất cả bài đăng

Người đăng: Unknown on Chủ Nhật, 18 tháng 3, 2012


Number 1124


The Crypt of Three Dimensions, with bonus from Boys’ Life: “How To Make and Use Your Own 3-D Glasses!”


This eye-popping 3-D posting is the last from our week of monster postings. If you just joined us, scroll down to the former posts for more monster fun.

"The Strange Couple," written and drawn by Al Feldstein for the third issue of The Vault Of Horror (#15) in 1950, was turned into a 3-D story for EC Comics' second attempt at cashing in on the 3-D craze of the '50s, Three Dimensional Tales from the Crypt (cover title: Three Dimensional Tales from the Crypt of Terror). It was redrawn by—of all people—Mad comics' Will Elder, who did a very moody and effective job on the story.

Drawing 3-D comics was a lot of work for the artists. Various articles over the years have explained how many different overlays the artist had to use, so it was time consuming and the artist had to be compensated for extra work. About the only 3-D comic that made money was the first, Mighty Mouse from St. John, and all the rest came out just about when the novelty had faded. Readers were paying 25¢ for the same page content as a 10¢ comic, with a couple of pairs of 3-D glasses, and the eyestrain that went with trying to read the blurry images.

Here's the original story by Feldstein. I scanned it from Russ Cochran's 1993 reprint of The Vault of Horror #3:







Here's the 3-D version by Elder:








The 3-D fad was effectively over by the time this magazine appeared, but Boys' Life magazine for December 1954 had an article with illustrations on how to make your own 3-D glasses. If you don't have glasses and want to read the above story, now you can do it yourself.


In the late '70s I bought a handmade pair of 3-D glasses from an ad in The Buyer's Guide for Comics Fandom. The person who made them did a good job. I'm still using them over 30 years later. The cardboard has started to yellow, but the colored cellophane is still bright. (Keep them out of sunlight.) You can buy colored cellophane in crafts stores. Good luck!

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Người đăng: Unknown on Chủ Nhật, 25 tháng 12, 2011


Number 1076


A Dan Dare Christmas


"I saw three spaceships come sailing in,
On Christmas Day, on Christmas Day;
I saw three spaceships come sailing in,
On Christmas Day in the morning..."


Merry Christmas to all you Pappy readers. We're sailing across the pond to the United Kingdom via our online "spaceship" to celebrate the holiday, with a strip from the 1955 Eagle Annual, featuring Frank Hampson's Dan Dare.

Dan Dare was published weekly in Eagle in the UK. I like the strip very much, and especially the beautiful painted work of artist Frank Hampson. I'll refer you to some websites: Frank Hampson.co.uk and the Wikipedia entry on the Eagle comic paper, where Dan Dare appeared.

What ties this strip to Pappy's is that the Eagle was created as a more wholesome response to the American horror comic books introduced to that country by American GI's stationed in England, and British sailors bringing back comics they picked up in U.S. ports. American comics weren't the only things imported that caused alarm. As I recall, a couple of years later there was this little thing called rock 'n' roll...

Happy Christmas to all!










Here's a vintage Pathé newsreel story about Hampson. Just click on the picture:

DAN DARE



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Creig Flessel, one of the earliest of the comic book journeymen, left comic books and after a stint as an assistant to comic strip artist John H. Streibel on "Dixie Dugan" went to the advertising agency, Johnstone and Cushing. In the heyday of comic art many ads were drawn comic art style by top comic artists (Lou Fine, Milton Caniff, Noel Sickles among others). The real money was in advertising, where pages were drawn for hundreds of dollars rather than a paltry few dollars at the comic book companies.

Beginning in the early 1950s Johnstone and Cushing provided the 8-page comic supplement to Boys' Life magazine. Flessel did this two-page adaptation of Dickens' A Christmas Carol for the December, 1952 issue. It boils the story down to 23 panels, but the tale is so familiar we just fill in the details in our own heads. Flessel's artwork is outstanding. Flessel worked for many more years in various fields of comic art and advertising. He died at age 96 in 2008.


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