Người đăng: Unknown on Chủ Nhật, 8 tháng 4, 2007





Number 117


Alex Toth's Time Machine!



H. G. Wells' The Time Machine was a popular science fiction movie in 1960. It won an Oscar. Even with the older style special effects the story is still effective, adapted from a classic Victorian-era short novel by Herbert George Wells. George Pal directed the movie and Rod Taylor starred.

Dell Comics seemed to have the comics movie adaptation business sewed up at the time this was published. One of their top artists at the time was Alex Toth, a talented but volatile artist who died last year. This adaptation was published by Dell Comics as Four Color #1085, with a date of March, 1960.

Click on thumbnails for full-size images.



































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Người đăng: Unknown on Thứ Sáu, 6 tháng 4, 2007


Number 116


Arachnophobic Comics!



Scared of spiders? Afraid when one of the little critters is crawling on your leg and you look down and are suddenly seized by blind panic? If you're that afraid of a tiny arachnid, what would you do if the spider was as big as your dog, or an elephant?

Well, you'd probably react like the people in these stories. Not very well!

First up is a Gale Allen story from Planet Comics. This 1946 strip is full of the pin-up panels that Fiction House was famous for. They were definitely going for the military PX, and teenage boy market. I don't know who the artist is.

Even discounting the giant spiders the story itself is ludicrous, but that just makes it more fun. How many rocket pilots, like Gale, also fill in on the switchboard?* It'd take too much space to have another character, an actual switchboard operator, call to Gale to tell her of a distress signal about giant spiders. The writer just made Gale the operator. Simple! You can't think too much about these types of comic books, you just enjoy them for their dopey plots. I also enjoy the attempts to make the story more "science-fictiony" with the use of words like "atmos-minutes" and a unit of measurement like "atres." Say what? Atres? Sizzlin' rockets!

The second story is a Fantomah story from Jungle Comics, drawn by the legendary Fletcher Hanks using a pseudonym, "Barclay Flagg." There is a book coming out soon from Fantagraphics on Hanks, and I can hardly wait. This Fantomah strip will be a good teaser to get us all ready.**

There is a hallucinogenic quality to all of Hanks work. Maybe it was the fact that he was alcoholic, but it could also be that he could draw, kind of, but just not what people expect of comic book art. He traced. Panels of the villain, Org, especially in the first couple of pages, look to have been traced and flipped, then re-traced. That's true for the giant spiders, too. His composition is also strange. Look at the two panels on page 1 where Org and Fantomah are eyeballing each other across the gutter between panels. I suspect that Fletcher Hanks was inspired by the art of Basil Wolverton, but like all Wolverton admirers didn't quite have the talent to pull it off in his own work.

I downloaded the Fantomah story from the Internet a few years ago and I don't know who to thank for doing the scanning.

Read these stories, arachnophobes, and just be glad that little brown spider crawling on your arm isn't bigger.

Gale Allen, Planet Comics #41, March 1946









Fantomah, Jungle Comics #15, March 1941








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*I also enjoy seeing the future from the vantage point of the past. Instead of using some sort of device like telepathy or wireless communication, the writer just transferred some 1946 technology to the future.

**Hey, I said Fantomah was a "strip teaser," yuk-yuk.
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Người đăng: Unknown on Thứ Năm, 5 tháng 4, 2007

Number 115



Fritzi Ritz Has Ritzy T*tz!



Ernie Bushmiller's art style is instantly recognizable and more importantly, instantly readable. Anyone should be able to get the joke in a Bushmiller strip. The gags are what comedian Milton Berle called "lappy," so simple they were laid right in the audiences' laps.

Nancy was the character that took over the glamour-girl Fritzi Ritz strip, but it's these covers with their simple jokes and eye-catching pin-ups of Fritzi that got the attention of male readers in the early 1950s. I'm guessing covers with Bushmiller's characters Nancy and Sluggo didn't do quite as well in sales to men.
Fritzi is in the great style of the old-time cartoon cuties of the 1920s through the 1950s. She's curvy and sexy but not sexual. Except for Fritzi in various states of undress there's nothing overt about any of these covers. Well, maybe except for the hot dog cover…but that's more than you need to know about how my mind works.Someone needs to take a collection of Fritzi Ritz covers and turn them into a book like the books on pin-up cartoonists like Bill Ward, Dan DeCarlo, Bill Wenzel, et al. Are you listening, Fantagraphics?

Click on covers for full-size images.

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The World's Finest Teamups--Part I

Người đăng: Unknown on Thứ Tư, 4 tháng 4, 2007

In the Golden Age, DC put out a couple oversized, omnibus books. Comic Cavalcade (initially) was dedicated to the All-American superheros: Flash, Green Lantern and Wonder Woman, while World's Finest (called World's Best for the first issue only) featured Superman, Batman, Boy Commandos and several other features. These comics cost a little more (15 cents instead of a dime), but they contained 92 pages, so it was worth the extra nickel.

Initially, there were no Batman and Superman teamups in World's Finest, with the notable exception of the covers, which generally featured Batman, Robin & Superman behaving like, well, teenagers. Here's a particularly amusing example:



But inside the book there would always be a Batman story and a Superman story, with no crossover.

That changed with World's Finest #71, July-August, 1954. DC decided to slim down the book to the standard 36 pages (including covers), and pare the price back to a dime. They maintained a couple of the backups (Green Arrow and Tomahawk), so to fit the other two features they were combined into one story.

This was not technically the first crossover of Batman and Superman. There was a one-shot teamup in Superman #76, in which (improbably) Bruce Wayne and Clark Kent share a room aboard a ship and accidentally discover each other's identity. However, outside the comics Superman and Batman had often paired up in the Superman radio series.

The first seven issues (WF #71-77) were illustrated by Curt Swan, who would go on to the great Superman artist of the 1960s and 1970s. But in WF #78 the series was (mostly) turned over to Dick Sprang. Sprang had been a longtime penciller of Batman stories and his style worked with Superman as well.

Sprang's specialty was perspective, and he always seemed to have the "camera" aimed in the right direction to give the reader the most entertainment. Here's a terrific example from WF #80:



Note that in the first shot, we get the crowd looking up at Batman and Robin, and in the second, we get almost exactly the opposite angle. This was a continuing theme with Sprang.

Sprang would go on to do the lion's share of the next 40 issues of World's Finest. Along the way there were a couple of significant stories.

In WF #88, Luthor and the Joker teamed up in Superman and Batman's Greatest Foes, a story in which the respective nemeses apparently go straight and set up a robot-building business together. Of course, it's just a front for a new criminal endeavor. This is the first super-villain team-up of the Silver Age and one of only a handful in DC history at that point.

World's Finest #90 featured The Super-Batwoman, the story where Batman decides to allow Batwoman to continue her crime-fighting career. He had forced her to retire in Detective #233 by discovering her secret identity, but now he was convinced that she had what it took to handle criminals.

In World's Finest #113, Bat-Mite and Mr Mxyzptlk teamed up. Although neither was truly a villain, this is still a significant early crossover. The Joker and Luthor got together again in WF #129, while Bat-Mite and Mr M renewed their acquaintance in #123.

By this time the editorial reins had been handed over to Jack Schiff and the stories suffered for a number of years with the same monsters, aliens and weird transformations that plagued Batman and Detective of the era. Dick Sprang only did three stories after WF #119, including WF #135's The Menace of the Future Man, his last work in the comics for many years. Schiff's own finale as editor was #140; in the next issue Weisinger took over this book, and that's a pretty good breakpoint.
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Người đăng: Unknown on Thứ Ba, 3 tháng 4, 2007



Number 114


Ghost Gallery #1



In his Senate testimony EC Comics publisher Bill Gaines* claimed the horror comic as his invention, but that claim itself was an invention. The EC-style horror comic that became popular in the early 1950s was his and Feldstein's, but horror comics had been around in one form or another since the earliest comic books. Even the superhero titles had their share of horror elements: vampires, witches, and monsters.

This story, the first of the Ghost Gallery By Drew Murdoch series from Jumbo Comics #42, August, 1942, fits into the earlier mode of horror comic, a gothic story: old dark mansion in the swamp, ghosts, and a mysterious, murderous thing.

Grand Comics Database identifies the artist as Bob Hebberd. Fiction House, publisher of Jumbo Comics, utilized the Jerry Iger comic book shop so often several artists worked on one story. Most of the stories in Fiction House Comics were just excuses to put sexy, leggy girls into the panels.** They were popular with their readership, servicemen and teenage boys. The stories didn't have to make much sense, and they often didn't.

This first Ghost Gallery story seems fairly well done, even for Fiction House. It's full of clichés, but it actually has a story that propels it for six pages, and it's done without most of the panels showing a half-dressed girl. Ghost Gallery must've been a popular series. It continued for over 120 issues of Jumbo Comics.






*Gaines' testimony is on film in the excellent documentary, Tales From The Crypt From The Comics To Television on the DVD, Tales From The Crypt, Season One.

**Hey gang, I don't have anything against sexy, leggy girls.
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