Number 1172: Superman in Oz

Người đăng: Unknown on Chủ Nhật, 10 tháng 6, 2012

I like to look at editions of American comics published in other countries. This issue of Superman, published in Australia for K.G. Murray (and distributed by an English company...so did it appear in the UK, also?) is a good example. They've left the Superman contents unchanged from the American, but made small changes in the dialogue of the Henry Boltinoff gag pages.

Last Sunday I called Superman "stodgy" compared to Captain Marvel. I mean that while both Captain Marvel and Superman stories could be very silly, in the Captain Marvel universe the silliness is played for laughs, but in the Superman stories of the same era the humor is sometimes unintentional.

"The Adventures of Mental-Man" has a ridiculous premise and depends on extraordinary circumstances to make the plot work. You'll see what I mean when you read it. Wayne Boring did the artwork, and he was "my" Superman artist growing up. If nothing else, I knew it was a Wayne Boring job just by the panels showing Superman in flight. Al Plastino* did "The Dog Who Loved Superman" in much the same Boring style (and yes, I'm being intentional). It's inked by Stan Kaye, who inked a lot of Superman stories to give them some consistency. Jerry Coleman wrote the first, Bill Finger the second.

"The Adventures of Mental-Man" was originally published in the US in Action Comics #196 (1954), and "The Dog Who Loved Superman" was originally from Superman #88 (1954):




























*The Stan Kaye inking credit is from Grand Comics Database. In a 2007 interview Plastino claimed he did all his own inking, and that he was told to draw like Boring, whose style he described as "rigid."

Plastino's style is evident, and confirmed by his signature, in these two "U.S." Royal advertising strips from 1951 issues of Boys' Life magazine. Advertising is where the money was, and artists good enough to get these jobs did very well.





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Flash Gordon - S058- The Radioactive Man (1956-04-01 to 1956-06-03)

Người đăng: Unknown on Thứ Bảy, 9 tháng 6, 2012

Story & Art: Mac Raboy
Original run: 1956-04-01 to 1956-06-03
Summary: Landing on the planet Rota to exchange gold for badly needed uranium on Earth, Flash and Dale are not the only visitor’s to the robot-run community: the exiled Djonn Toth also approaches the planet in a purpose-built ship for his special condition.
Having become uranium dependent after a horrific power plant blast on his home planet, Toth destroy the master brain running Rota and demands an unlimited uranium supply backed up by a threat to release Armageddon on his hapless onlookers...

(Source of summary: www.ipcomics.net)

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All credits go to "spax".
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Flash Gordon - S057- Sharks (1956-01-22 to 1956-03-25)

Người đăng: Unknown on Thứ Sáu, 8 tháng 6, 2012

Story & Art: Mac Raboy
Original run: 1956-01-22 to 1956-03-25
Summary: Heading for the Arctic Circle to assist in the launch of a space weather station, Flash spots an alien amphibian ship rising from the Arctic Sea.
As a puzzled Flash continues his flight, he soon passes over an isolated, unidentified outpost in the icy no-man's land and decides to investigate if the two discoveries are related – with good reason...
(Source of summary: www.ipcomics.net)

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All credits go to "spax".
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Number 1171: Ken Shannon gets in your face with his big face

Người đăng: Unknown

I'm following up Wednesday's Blackhawk story by Reed Crandall with another Crandall Quality Comics story.

I noticed something about private eye Ken Shannon. He appears to have symptoms of acromegaly. That's a condition where parts of the body, hands, feet, the face, continue to grow. Ken's lantern jaw is a dead giveaway. He should see a doctor. The disease is fatal.

Reed Crandall handled the art chores (pencils only, unknown inker) for Ken. The Thrilling Detective website says Ken has "more than a passing resemblance to My Three Sons' Fred MacMurray." If so, that would make Fred the basis for two comic book characters: Captain Marvel was supposed to have been based on MacMurray, also.

I showed another Ken Shannon story in Pappy's #693.

Below is the cover for Ken Shannon #3 (1952). It illustrates the lead story of the issue, which is also featured in the new book, Zombies, from Craig Yoe and Steve "Karswell" Banes. After you get done reading the story, “One Day I'll Kill You!” (a killer seeking vengeance believes strongly in the old adage, “Revenge is a dish best served cold”) I have a review of Zombies.









Zombies the Chilling Archives of Horror Comics Volume 3

Consider horror in pop culture. Genre movies are popular and like the legendary vampires and zombies, they can still be around long past a normal lifespan. Horror novels are always popular, and horror short stories old and new are perpetual anthology favorites. Horror on television rears up its rotting corpse, especially with programs like The Walking Dead. The one medium where horror isn't especially well known to the general public is in 1950's comic books. At the height of  their popularity horror comics were suppressed, taken off the newsstands in mid-decade. There were a lot of titles, and between them they sold millions of copies every month. Despite being loved by their readers the bluenoses prevailed and for decades the comics were the lost horrors. (The Walking Dead is based on a modern comic book, but unlike the products of the fifties, hasn't been boycotted or investigated by the U.S. Senate.)

I'm very happy to see an anthology like Zombies, a collection of obscure stories from those horror comics of the 1950-1955 era. Take the splash page of "I Am A Zombie" by Lin Streeter, which opens up Zombies...every panel has a horror element, a skull-like head, walking corpses, dripping blood and a hand coming out of a coffin. It's creepy, a perfect example of why these comics were so popular with their fans, and why they still have that effect on us today.
Steve "Karswell" Banes (The Horrors Of It All) and Craig Yoe have collaborated to present stories from a specific horror genre, showing zombies in all their undead ghastliness. These are the pre-George Romero zombies, so don't expect to see any gunshot gore, no exploding heads. Zombies being animated corpses are scary enough, even without the overt blood and guts of the movies.

I was very happy to see that Craig and Steve included a favorite of mine, "The Horror of Mixed Torsos," drawn by Dick Beck, from Dark Mysteries #13 (1953). The story was outrageous then and 59 years later maintains that distinction. Most of the best horror comics publishers are represented in this collection except for the most infamous, EC Comics. Banes and Yoe have stuck to public domain stories, which is fine with me. EC's horrors have been well represented in various forms (including a TV show based on Tales From the Crypt). The prolific publisher, Atlas Comics, is also not represented, but they are still in business as Marvel Comics. The stories published long ago by publishers defunct now for five decades will be new to most readers who read the book.

Over a week ago I recommended Zombies before I had even seen it. I received my copy the other day, and I'm glad my impressions of an unseen book were borne out. I started to read just as the sun was going down. There was a storm moving in; the sky darkened and the wind picked up. I went through the book page-by-page as my old house groaned in protest of howling winds. It sounded like the moans of the living dead. Tree branches played bony fingertips tapping on my windows, lightning flashed and thunder crashed, giving me a perfect atmosphere for my reading. I could not have planned such an auspicious time for it to arrive.

Zombies is number three in the series, The Chilling Archive of Horror Comics, which includes the books Dick Briefer's Frankenstein and Bob Powell's Terror (there's a Bob Powell story in Zombies, also). As usual, yet another great book from Yoebooks, recommended highly by Pappy. Affordably priced at $24.95, and available from the usual outlets, including Yoebooks, Amazon.com, and others. If you're like me you'll want it now, but what the heck, it's only six months till Christmas, and not too early to put it on that list.
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Flash Gordon - S056- Station Crossroads (1955-11-13 to 1956-01-15)

Người đăng: Unknown on Thứ Năm, 7 tháng 6, 2012

Story & Art: Mac Raboy
Original run: 1955-11-13 to 1956-01-15
Summary: Approaching Earth's space traffic satellite hub on their way back from a mapping mission (see S-052 Dark Planet Prison), the unarmed Flash, Dale and Zarkov are almost caught by a slave traders' ship before being rescued and brought safely to the station.
With the slavers' ship safely detained on the ground, a delicate task of filtering out the culprits (who have hidden amongst the mass of human slaves already held in the ship) begins, a task made all the more complicated when it transpires that two person’s from Zarkov’s past are amongst the unfortunate passengers...
(Source of summary: www.ipcomics.net)

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 All credits go to "spax".
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Number 1170: Gentlemen and Blackhawks should remove their hats

Người đăng: Unknown on Thứ Tư, 6 tháng 6, 2012

I can't remember where I read that artist Reed Crandall arranged with Quality Comics publisher Everett "Busy" Arnold to be paid extra for drawing Blackhawk stories. There are a lot of Blackhawks. The other thing I read was that Crandall found a way to get hats off the Blackhawks by having them knocked off, or otherwise removing them. Apparently Crandall didn't like drawing those hats.

This story is drawn by Crandall, and yes, in most of the panels most of the Blackhawks are not wearing hats. The Grand Comics Database credits Crandall with both pencils and inks.

From Modern Comics #59 (1947):
















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