Number 1419: Captain Marvel “moons” the earth!

Người đăng: Unknown on Thứ Tư, 14 tháng 8, 2013

Putting the moon back together after it has split in half is no problem for Captain Marvel. “Menace of the Moon” is a fairly typical tale of the Big Red Cheese, drawn by C. C. Beck and written by Otto Binder for Captain Marvel Adventures #106 (1950). Binder had a light touch, even with such a story, which seems like it needs more of a treatment considering such epic subject matter as the destruction of the moon.

Despite the light touch, Binder, whom I met in 1970 at his home in Chestertown, NY after his comic book career had ended, impressed me as a man who took all writing assignments seriously. He was writing freelance at the time, turning out science fiction novels on a regular basis. I admired his work ethic. He told me he got up in he morning, five days a week, and wrote until he had 2,000 “usable words” — about 10 pages of typescript. I did the calculations in my head (“Ten pages, novel 160 pages long, sixteen working days to write.” Wow, although I’m sure there were days he wrote less or more, depending on circumstances.) As an article from the Roy Thomas-edited fanzine, Alter Ego #9 (1965) explains, during the golden age of comics Otto was a busy man writing comic book scripts. So busy he didn’t have time to dress; he wrote in his pajamas and robe. I’ve included that article in this post. It has some snapshots supplied by Otto, which show some of his friends. The snapshots aren’t great quality, but we get a tantalizing glimpse of people Otto worked with at Fawcett.

Binder and Beck retained copyrights to the Captain Marvel character, Mr. Tawny, the Talking Tiger. Along with the article there were two pages of samples (a week’s continuity) of a proposed Mr. Tawny newspaper comic strip. It has the same lightness of touch that Otto used so effectively with Captain Marvel.













More about

One of My Favorite Covers

Người đăng: Unknown on Thứ Hai, 12 tháng 8, 2013

I may have pointed this one out before but I came across it again, and just was awed:





There's a lot there.  From the tropical plants, we can tell it's in the South Pacific, so he's facing the Japanese.  He's hot and he's very nervous, but check out the lips--grimly determined as well.  Jerry Grandinetti, an artist who doesn't get mentioned a lot, put this gem together.
More about

Number 1418: Myron Fass and the dead woman’s swamp

Người đăng: Unknown

Myron Fass, the king of sleaze, whose magazines included the line of Eerie Publications* and various other exploitation rags like Violent World, was once a comic book artist.

An issue of Violent World.


I like to imagine Charles Manson framing this 1969 killer-hippie Eerie Publications cover and keeping it in his cell to remind him of happier days.

Well, I qualify Fass’s comic artist label...I don’t know how much Fass actually drew, and how much he might have subcontracted out to other artists. The quality of Fass art can vary widely. In this particular story, the quality has swung toward the amateurish, or as I like to call it, “serviceable.” It serves the purpose of the story and that’s about it. But I decided to show it for a couple of reasons. One is Myron’s inscrutable signature in the splash panel. If I’m reading it correctly it says “Nuts” Myron Fass, with the second “s” placed sideways. I’m bewildered by that. The other thing about the story is it is another swamp creature story. There have been enough swamp monsters in comics, all of them descended from Theodore Sturgeon’s 1940 prose story,“It!” to make up a separate genre for swamp-creature lit.

From Crime Mysteries #12 (1954):









**********

*The Bloody Pulp!, a blog devoted to Eerie Publications, hasn't been updated in a long time, but is still an incredible resource for anyone wanting to check into the “miasma of Eerie Publications,” as the blog promises.

Click on the picture to go to the site.


More about

Number 1417: Two by Bill Everett

Người đăng: Unknown on Chủ Nhật, 11 tháng 8, 2013

Venus, the goddess comic book character and not the planet, worked for Beauty magazine. Venus is the epitome of female beauty in the ancient world, and in the modern world as well.

Bill Everett, who could draw beautiful women — and many other things, as well — did the artwork for these energetic and entertaining stories from Venus #16 (1951).














**********

I have two links to more Everett. Click on the pictures.





More about

Number 1416: Oh, snap! Lulu in distress, a tragedy...

Người đăng: Unknown on Thứ Sáu, 9 tháng 8, 2013

This is the final post of our “Comical Comics” theme week. I’m finishing up today with a funny Little Lulu fantasy.

Something I loved especially about the Little Lulu comics were the stories-within-the-stories she told Alvin, the “poor little girl” fables which were always inventive and funny. “Lulu In Distress, a Tragedy” is from Dell Four Color #110 (1946), early in John Stanley’s brilliant career as Lulu’s scribe. He did the artwork for the story, also.

Stanley set many of these stories in a Dickensian world of poor children. In her narration, Lulu makes herself the main character. As befits the word “tragedy” in the title, Lulu is a poor child living with a wicked stepmother, forced to do all the work. Lulu has it so bad that even though the candy store owner cries at her plight, he also chases her out the door! Man, that’s some bad times! What usually happened in these stories was that Lulu prevailed in the end. She showed that smarts and pluck will win, and smarts and pluck Lulu had in spades.















**********

Another Lulu story-telling time story. Click the thumbnail.





More about