D2-039 Flash Without Dale

Người đăng: Unknown on Thứ Tư, 22 tháng 9, 2010

Art: Dan Barry 

Summary: Returning to New York after the dramatic events surrounding the Skorpi invasion (read D2-038 The Matter Transmitter), a devastated Flash is told by Dale that their relationship is over and that she is going to marry another man.

Having watched Dale drive off with her fiancé, a deflated and confused Flash accidentally ends up on a pleasure satellite, where he is drawn into a dangerous youth culture of fast and careless living where death can snatch you away at any moment...
(Source of summary: www.ipcomics.net) 


Very thankful to Col. Worobu who sent some missing strips from this series. All credits go to him & "Allen Lane" who scanned and first shared at net.
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Number 812


Phantom Fliers


Two important ties to the golden age of comics have been lost with the deaths in 2010 of Frank Frazetta and Al Williamson . Both of them lived a long time and have prodigious bodies of work. Williamson stayed within the relatively small world of the comics, whereas Frazetta went into the larger world and the stratosphere of artistic recognition.

"The Phantom Fliers", from ACG's Out Of The Night #4, in 1952, is credited by the Grand Comics Database as being a Williamson-Frazetta collaboration. It seems rushed, and I'm not seeing much of Frazetta in it. The slapdash nature of some of the artwork may have kept them from signing it. Despite what may have been a hurried job to meet a deadline, I still see things that made Williamson and Frazetta stand out as comic artists. The rest of the issue is done by competent artists from the ACG stable, and is somewhat dull. Despite some artistic shortcomings, "The Phantom Fliers" is not dull, and is the highlight of the issue.







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Justice League of America #2

Người đăng: Unknown on Thứ Hai, 20 tháng 9, 2010


As the story begins, Green Lantern is attending a magicians' convention. Why? Well, on the story level we'll assume it's because he's a fan of legerdemain, but from the writer's (Gardner Fox) standpoint, it's so that he can witness an important event. A girl is summoned apparently from nowhere, but when the magician reveals the secret, it turns out that the trap door she was supposed to come up through was locked. So how did she arrive?

Note in particular that the light switch doesn't work. Indeed, none of man's scientific gadgets work, from planes to trains to automobiles. What can have happened? Well, once the JLA has gathered, Green Lantern makes the obvious deduction; magic works, but science doesn't. We see the extent of the fabulous JLA library:

Meanwhile, in the magic dimension, we learn what caused the sudden change:

The concept of two different Earths, with strong similarities but important differences, was of course the idea behind the multiverse of Earths 1, 2, 3, etc. Note in particular that this story predates Flash of Two Worlds by about 8 months.

Merlin, the magician, quickly learns who's behind the sudden change:

As those three are the only people on their world to understand the application of science, they quickly loot the planet of its treasures. After a test of magic, the JLA summons Merlin to their HQ. He explains the background of the story, and the JLA members split into teams to take on the three villains:

This was the basic template that Fox used for the JLA adventures: Identify the menace, break the team into parts, and then have the team get back together again for the denouement. It was also the template for the old JSA stories in All-Star, although there (because the Golden Age books had more pages), Fox had let them star in their own solo adventures.

The team-up concept is promising, but Fox doesn't really deliver. Green Lantern fights a manticore, while the Martian Manhunter battles a Griffin. They only really join forces to capture Saturna and to prevent him from destroying a part of the magic spell that will return our Earth to the science dimension.

Wonder Woman and the Flash do cooperate more in their capture of the Troll King, but Batman, Superman and Aquaman split up, and as it happens, the Sea King is the one who finally captures Simon Magus. So all that remains is for Merlin to cast the spell to return our Earth to the science dimension, right?

Well, no, there is the problem shown on the cover to handle. But it turns out that the monster the JLA are trying to prevent escaping into the magical Earth is none other than:

Comments: A pretty standard Gardner Fox plot, with art by Mike Sekowsky.

The JLA Mailbox includes a letter from Jerry Bails, Jr (I assume written by his father and possibly posted by Roy Thomas):

Bails pere, of course, was a major figure in the then-nascent fandom movement, and had been a longtime reader of the JSA stories in All Star Comics. From correspondence between him and Roy, we know that many of the early letters to the editor in JLA were written by him under various pseudonyms.

Correction: As noted by Jonathan L. Miller in the comments, Jerry Bails, Jr, was himself the actual fan. I knew that Bails lived in Michigan for most of his adult life, but he was apparently originally from Kansas City.
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Number 811


Iron Jaw and the Iron Lung


Iron Jaw, one of the best comic book villains of the 1940s, stars in a two-part story from Boy Illustories (formerly Boy Comics) #68 and #69, 1951. This is part 1. Come back next Sunday for the second part.

I've shown a couple of vintage Iron Jaw appearances fighting Chuck Chandler, Crimebuster, in Pappy's #492 and Pappy's #532. Even after the war, Iron Jaw was still the totally ruthless villain he'd been when he was a Nazi agent.

Both stories are drawn by Norman Maurer. I've written about Maurer before. He did a lot of work for Charles Biro and Boy Comics, then teamed up with Joe Kubert to help create the first 3-D comic books.

Maurer married Moe Howard's daughter, Joan, and became the manager of the Three Stooges, moving on to Hollywood. Years later, in the '70s, Maurer did the comic book, Little Stooges, for Gold Key, in the same clean, clear style he'd used on these Crimebuster stories. Biro's comics became dense with dialogue, averaged about nine panels a page, and many of those panels were packed with detail. Notice the crowd scenes on page 10, where Maurer drew a bunch of characters which were haphazardly colored by slapping a single color over them, obscuring the drawing. This was fairly common in Biro's comics of the era, where he apparently demanded the artist draw everything, which was then sabotaged by the usual suspects: bad coloring, bad paper, and bad printing. I hope the paychecks made up for the artist's inevitable disappointment in how all his hard work looked in the finished product.













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Người đăng: Unknown on Chủ Nhật, 19 tháng 9, 2010


Number 810


Arrrrrrggghhhhh. It's Talk Like A Pirate Day...again


Here we are again, and yet another tip of the Pappy cappy to those days of yore, sailin' o'er the bounding main, pirate lads...and pirate lassies.

Black Bess be one of those lassies. She showed up in Fight Comics #53, 1947, in the Captain Fight story. Personally, I wish she'd stuck around a little longer, because I like the short-shorts and long legs. I also love the pirate hat. Red with a jolly roger! I guess there's no mistaking who she is, is there?

The story is drawn by Jack Kamen.






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Người đăng: Unknown on Thứ Sáu, 17 tháng 9, 2010


Number 809


Felix the Cat


Felix the Cat comic books helped me learn to read decades ago, and I have a nostalgic love of the surreal, fanciful stories by Otto Messmer. Craig Yoe's Felix the Cat, The Great Comic Book Tails, is another in his series of beautiful books of comic art. This time he's featured Felix stories from the late 1940s and early 1950s, that period in Felix's comic book career I especially love.

Felix's stories usually start with something ordinary, then veer off into fantasy. In the first story in this volume, for instance, "Felix the Cat in Starburst", from Dell's 1946 Four Color #135, Felix is having a normal day (for Felix), which turns into taking a rocket ship to the moon, then visiting the signs of the zodiac.

You have to be willing to accept that these stories were written for young readers, probably in the six to ten-year-old bracket, but the artwork is always wonderful. I had always believed that Otto Messmer was the sole artist of Felix, but according to Yoe, Joe Oriolo and Jim Tyer assisted him.

Yoe's taste is impeccable, and as with the other books he's produced, the book itself is beautiful, from the cover to the interiors, meticulously scanned and restored from the original comic books, with top-notch printing on heavy paper, designed for permanence. The books in this series are so well made I believe they will be pleasing readers well into the 22nd century!

It gets my highest recommendation.

Felix the Cat, The Great Comic Book Tails, IDW Publishing, 2010. 225 pages. Available from the publisher, IDW, Bud Plant and Amazon.com.

The story I scanned for today's posting is not in Yoe's book. "Misdeal" is the lead story from Felix the Cat #1, 1948.

Copyright © 2010 Felix the Cat Productions




















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