Người đăng: Unknown on Chủ Nhật, 26 tháng 6, 2011


Number 934


Buster Brown and the Gods of Egypt


Buster Brown Comic Book was published by Brown Shoe Company for several years in the 1940s and '50s. They used some top comic artists, and they had interesting stories set in interesting locales. These two stories are set in Egypt, one in ancient times, one modern. They are written by Hobart Donovan, who was apparently the only scripter for Buster Brown Comic Book, or at least the only one given credit.

The Grand Comics Database does a guess on the artwork for "The Power Of The Great Cat" from BBCB #9, dated Fall, 1947. They credit Alex Kotzky?, so if you're a Kotzky art-spotter you tell us if it is by him. "Seb-Ek Crocodile God Of The Nile," signed by Dan Barry, is from BBCB #12, and is dated Summer 1948. I'm not sure how Grand Comics Database knows the dates, unless someone checked them with the Brown Shoe Company records. You won't find any dates in the comics because they don't include an indicia, or any kind of copyright notice, for that matter. Maybe the Brown Shoe Company didn't care. Maybe for them it was enough to publish these comic books to be given away to young customers in their shoe stores, and to make the kids holler, "I want Buster Brown!" when Mom and Dad said it was time for shoes. What I remember about the Buster Brown shoe store where my mom bought my shoes, besides making sure I got a copy of the free comic book, was sticking my foot in the fluoroscope and seeing the bones of my foot. That sort of thing is banned nowadays, but six decades on I haven't detected any problems with my feet caused by Buster Brown's fluoroscope. Any damage from the Buster Brown Comic Book is co-mingled in my brain with the thousands of comics I read in my life.

Note the variant spelling of pharaoh as "pharo" in the first story. Was this ever an accepted spelling?


















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Frew 1160 - The Devil's Library (Part 4)

Người đăng: Unknown on Thứ Bảy, 25 tháng 6, 2011

The Devil's Library Pt.4: The Secret Chamber
 Story: Claes Reimerthi
 Art: Kari Leppänen


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Scanned & edited by Laki.. All credits go to him.
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Flash Gordon - S116 - "Robot War" (5/9/71 to 7/18/71)

Người đăng: Unknown on Thứ Sáu, 24 tháng 6, 2011

Art: Dan Barry 

Summary: Approaching Earth after their ordeal in space Flash, Dale, Zarkov and Kara pick up a distress signal in sub-space and steer their ship towards the area where the space wreck is floating.
Managing to salvage a number of survival pods from the wreck whilst repelling a robot attack, the quartet is told of a war-torn planet where robots rule and where the original inhabitants have taken refuge in a "Third World" beneath the surface...

(Source of summary: www.ipcomics.net) 


 It's from Roldan's e-collection. It was originally scanned by Beowulf &  digitally cleaned and enhanced by Roldan. All thanks & credits go to both.
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2 Unpblished Russ Manning's works: THE IMMORTAL CENTURIAN & THE GLORIOUS

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These are from Sumit's e-collection. All credits go to him.
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Darwin of the Guardians

Người đăng: Unknown


I confess I had not read this story in decades and it didn't make much of an impression on me back as a teen. But re-reading it last night, I have to confess I was flabbergasted.

The story starts with the Golden Age Green Lantern protecting Gotham City from a falling meteor. As it happens, the meteor hits a tree, which is about to fall on Doiby Dickles' taxi, Goitrude. GL is shocked when his protective beam deflects the tree, as his power ring has never worked on wood. He has an idea:

But when he reaches Hal Jordan, it turns out that his beam still doesn't work on wood. Hal suggests that he get the ring to tell him what really happened. It turns out the meteor wasn't a meteor, but a disembodied mind inside a packet of pure energy that was ten billion years old. The ring contacted the mind and learned it was from the planet Oa. The Oans were immortal and used their time to learn things:

But there was one forbidden subject:

And right there I came to a screeching halt. The pursuit of knowledge about the Oans had led to the invention of evil? That doesn't make a whole lot of sense, and the "reasoning" behind it is the classic fallacy of post hoc ergo propter hoc (after this, therefore because of this). Krona insisted on continuing his pursuit of the origin of the Oans, and so they:

Since one of their fellows had unleashed evil on the universe, they started the Green Lantern Corps to battle the malignant forces.

When the GA Green Lantern's power beam contacted the mind of Krona, he used it to free himself and followed Alan Scott into our universe. The Oans, alerted to the danger, warn the two GLs that they cannot locate Krona by normal means, but to expect an outbreak of evil nearby. Sure enough:

After handling the various crises, the Oans summon the two GLs to their home planet, where the cover scene takes place. Hal does not accept his demotion gracefully:

And yet, a moment later he seems surprised that Alan's not laying down for him:

Via a flashback, we learn that Alan's body has secretly been taken over by Krona, and that the Guardians are being controlled by the GA Green Lantern's ring. But (and this is a key point) Hal doesn't know this yet. So his revolt against the Guardians and his battle with Alan are not excused by this knowledge.

Krona erects a yellow shield to protect himself and then kayos Hal, after which:

We can see that Krona is rather reckless with other people's lives but not his own.

But Alan's disembodied mind contacts Hal, wakes him up, and the two combine their willpower to defeat Krona, with the aid of some trickery; Hal uses the GA power ring rather than his own so that yellow won't work against it. Krona is sent back on his endless journey, but this time the Guardians make sure his orbit will never intersect any planet or star.

Comments: The story can be taken as an allegory to the book of Genesis, with Oa before Krona as the Garden of Eden, and Krona as Adam releasing evil by eating from the Tree of Knowledge. According to the letters column in GL #43, that was the way writer John Broome intended it:

But you can also read it as anti-science, and anti-Darwinian. That the Oans turn out to be correct in their ancient superstition against studying the origin of their species is hardly surprising. It's a basic principle in fiction that the Cassandras of doom are always proven right (as was the original Cassandra, who warned the Trojans against bringing the wooden horse into their walls). But I have a hard time believing that the Oans were justified in their original banishment of Krona. Given what happens in this story you can argue that the subsequent exile was merited, but you can also argue that ten billion years as a disembodied mind might be the cause of his callous disregard.
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Number 970


Super Stein's Supermouse


In early May I showed three stories by Milt Stein, animator and comic book artist. I like Stein so much I have two more, both from Supermouse #4, 1949.

The thought occurred to me how rich the late '40s were for fans of funny animal art. Walt Kelly's Pogo, Carl Barks' Donald Duck Four Color Comics, the fine work in Giggle and Ha-Ha Comics by the moonlighting animators from the Sangor/ACG shop, and these super Supermouse comics by Milton Stein.
















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