The Other Other Captain Marvel

Người đăng: Unknown on Thứ Ba, 26 tháng 7, 2011

See, there was the Golden Age Captain Marvel, aka Billy Batson, aka the Big Red Cheese. And Marvel came out with its own version of Captain Marvel, the man of the Kree who could change places with Rick Jones. And then there was this fella:



Captain Marvel is a robot who was created on another planet. His mission is to help others avoid the wars that destroyed his homeworld:

So you might say that he was a strange being who came to Earth with powers and abilities far beyond those of mortal men....

His origin is told in flashback like that, because his memory is faulty. In a robot? He has to recharge his powers every day by passing his hand over that M-shaped medallion on his chest. It turns out that he has a young friend:

We learn that he's a writer for an important press service, and that his next assignment is to cover a revolution in the Caribbean. His flight crashes en route in a jungle. Captain Marvel investigates the area and discovers:

Inside the computer are some giant heads, who initially seem like villains, but then it turns out that they just need Captain Marvel's help getting enough power so they can return to their normal dimension.

Comments: A padded, silly story, although I enjoyed the cartoonish artwork and the insane gimmick of him separating his body into multiple pieces. Like many superheroes, Captain Marvel picked up abilities as needed by the plot:


The second story is pretty much more of the same. Aliens (from Venus) who seem like villains but are really kind of ambivalent:

And how can Captain Marvel prove to them that humans deserve to live? Why by defeating the Venutians' nemesis, the Gronks. And the Gronks are the "Bonus Feature" shown on the cover, Plastic Man. But not that Plastic Man:

Captain Marvel defeats him by using another yet-unrevealed power:

So the Venutians decide that the humans are indeed worthy of living, and head back to their own planet. Plastic Man escapes, setting up a return match with that villain in the next issue. But is he really a villain, or yet another ambivalent antagonist?

Comments: I get the sense that the publisher was intentionally pushing the envelope on copyright/trademark here to find out what they could get away with. Captain Marvel was a former Fawcett character, who had been retired after he was ruled a violation of DC's copyrighted Superman. But DC had not perfected their rights to the character by trademarking the name, so it was apparently out there in the public domain. On the other hand, Plastic Man had definitely been purchased by DC, and so by the next issue he was renamed:

Note that the envelope is again being pushed by that issue with Atom-Jaw clearly a swipe of the longtime Lev Gleason character Iron-Jaw (also a mid-70s Atlas-Seaboard protagonist), and Dr. Fate a GA DC hero.

BTW, I found out about the Silver Age Captain Marvel at one of my regular blogs from the sidebar, but I can't remember where; somebody wrote about him within the last two months or so and intrigued me enough to track down this issue. I'd be happy to link that blog, but I really can't remember where I heard about him. Anybody? Bueller? Update: Jim pointed me to Gorilla Daze, where Allan wrote about the other other Captain Marvel a few months ago. Update II: Booksteve also covered the faux Captain Marvel just last week.
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Frew #1390 - "Phantom Year One: The 21st Phantom"

Người đăng: Unknown on Thứ Hai, 25 tháng 7, 2011


Writer Claes Reimerthi
Artist Paul Ryan
Translator Asti Forsyth


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Scanned & edited by Laki..
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Người đăng: Unknown


Number 988


The Ditsy Chicks


Owen Fitzgerald was an animator, first with Disney, then Fleischer Brothers, then went into comic book work with the Sangor (ACG) shop. At some point he went to DC and did Adventures Of Bob Hope comics (a very well done comic book, by the way, in both writing and art), then at another point replaced Al Wiseman as the artist on the Dennis the Menace comic books. Fitzgerald died in 1994.

Bob Wick (Wickersham) was also an animator/comic book artist, and did excellent work for ACG, including the wonderful Kilroys comic book. These two stories, Moronica by Fitzgerald and Our Kid Sister by "Bob Wick", appeared in The Kilroys #28, from 1951. As a character Moronica is more from the My Friend Irma mold, and sixty years later, dumb blonde jokes are still funny. As for Sis, she's a normal teenager, easily distracted in her own little world.

Something I really like about Fitzgerald's artwork is economy of line. He doesn't have any more lines in his drawings than what needs to be shown. His inking is beautiful. He made it look easy, which as we all know, means it isn't easy at all.

Wickersham's Kid Sister is in motion all the time; I love the sequence in the chair while she talks on the phone. I also like that she wants to save her comic books when she thinks the house is on fire. Personally, I would have gone for the comics first, records second (records being more easily replaced than comic books), but everyone has their priorities. She'd even try to save her pictures of Van Johnson. Like I said, ditsy.













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Người đăng: Unknown on Chủ Nhật, 24 tháng 7, 2011


Number 987


Alex Toth's Zorro


IDW has issued Genius Isolated: The Life and Art of Alex Toth by Dean Mullaney and Bruce Canwell, editors. It's available from IDW, Amazon.com, or Bud Plant. I haven't seen it yet, but how can it miss? According to the promotional material it includes Toth work on the legendary Zorro comics from Dell.

Walt Disney's Zorro was a solid favorite TV show of mine when it came out in 1957. (Wasn't Disney a genius at getting his name in front of other people's creations? Zorro was created by writer Johnston McCulley, and originally appeared in the novel, The Curse Of Capistrano, in 1919.)

Actor Guy Williams became the Zorro for me. I had bought a couple of the Dell Four Color issues featuring Zorro which pre-dated the television program, but when the show came out the Disney marketing machine went full throttle. Dell's annual Zorro one-shots became Walt Disney's Zorro. Alex Toth did the origin story, and several stories for the series over the years. Warren Tufts did some very significant and fine work on the comic, also.

My copy of that 1957 Walt Disney's Zorro Four Color #882 is long gone, but I managed to pick up the series again in '65 when Gold Key reissued the comics beginning with #1, "Presenting Señor Zorro."


















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'68 #2 (of 4)

Người đăng: Unknown on Thứ Bảy, 23 tháng 7, 2011

'68 #2 (of 4)
CBR | May 25 2011 | 30 Pages | 20.19 MB
An anti-war activist actress on a propaganda tour, a deep cover CIA agent with a secret agenda and a young, Chinese-American grunt facing a screeching, drooling undead thing made up of dozens of Viet-Cong dead…these stories and more intertwine as the Vietnam-Zombie epic continues.
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Anne Rice's The Vampire Lestat

Người đăng: Unknown

Anne Rice's The Vampire Lestat
English | 358 pages | CBZ | 120MB
Collected for the first time, here are the twelve extraordinary illustrated volumes that form the graphic novel of THE VAMPIRE LESTAT. Evocative full-color paintings and an artful abridgment of the original text capture the inimitable spirit and atmosphere of this passionate, complex, and thrilling tale. The story begins in our own time with Lestat, tall, blond, and handsome, a world-renowned rock star. His gifts are timeless, his youth never withers. But he was not always the powerful and famous child of darkness. Before his long earth-encrusted sleep, he was an aristocrat in the heady days of pre-Revolutionary France. It was then that he came face-to-face with the incarnation of evil and the temptations of love that he has ravenously pursued through time. Where it has led him and what he has become is the heart of the tale that has captured millions of readers.
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The Cry of the Vampire

Người đăng: Unknown

The Cry of the Vampire
2001 | CBR | 52 Pages | B&W | 50.7 MB
Here's a gem, a sensual take with a distinct European flavor on the vampire mythos by the late Argentinean writer Carlos Trillo and Spanish artist Jordi Bernet. It is about a stunning young vampire, Ludmila, who searches for her long lost maker, by enlisting a photographer to help her take pictures of people matching his description. The story first appeared as "Ivanpiire" in Splatter magazine published in Spain in 1989; this version is the black-and-white reprint "Le Cri du Vampire" and is a scanlation (scan + translation) by relieta and data9724. Mature Readers.
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